Bracciano, Bertinoro. (FC). Reported 20th May.

Map Ref: (44°08'36N 12°09'37E)

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Updated Sunday 3rd June  2012

 

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Step by Step!

Crop formation at Bracciano, Bertinoro, May 20th 

The spiral crop formation at Bracciano, Bertinoro, reported May 20th caught my attention because of the series of ‘steps’ embedded in the spiral course. From a very cursory look over past formations, this is a rare appearance. Maybe it could be a source of new information for us.  

“An extremely ancient, complex, and ubiquitous symbol representing the creative power of the universe emanating from the navel, centre, or omphalos, [the spiral] shares in the symbolism of the labyrinth.” (Stevens 252). This spiral seems quite unremarkable, but the inner ‘steps’, giving a ladder effect, add to the general meaning of the symbolism in this case.   

Spirals appear as symbols in art and on architecture since Neolithic and Paleolithic times. They exist in the natural world as whorls in flowing water and flames, as well as in the growth of plants and animals in the form of the Fibonacci spiral. Spirals also describe the movement of galaxies and the activity of the sun’s flares, etc. 

As a symbol, the spiral has both an inner moving direction and an outer moving direction. Because of these two characteristics, the spiral carries the symbolism for: Yin and Yang, death and rebirth, involution and evolution, contraction and expansion. 

The labyrinth deals with “initiation, death, and rebirth and the rites of passage from the profane to the sacred; the mysteries of life and death; the journey of life through difficulties and illusions of the world to the center as enlightenment of heaven” (Cooper). One message from the spiral crop formation at Bracciano depends on seeing it as a labyrinthine spiral that also has ‘steps’ or stages.   

These steps give the spiral another association: that of the game, Hopscotch or ‘Tempel-‘ or ‘Himmelhüpfen’ (temple or heaven hopping). This children’s game recalls a labyrinth ritual done by the children of ancient Tuscany or Rome. Still other recollections this game brings forth are: Dante’s Mountain of Purgatory and the  ancient Babylonian ziggurat. The stages and ordeals suffered in the labyrinth or the steps in the spiral mountain are occasions for purification or release of old ways in order to be prepared for the new rebirth. 

The hopscotch and the ziggurat diagrams represent the different stages on the mystic path to higher consciousness. 

Similar buildings and images appear throughout the world and in history depicting the purification and heightening of consciousness. 

Dante’s Mountain of Purgatory and “The spiral ascent of [the] holy mountain [are] symbolic of the expansion and evolution of consciousness and the accompanying flame of wisdom.” (Purce 49). 

The ladder aspect of this formation is reminiscent of Jacob’s ladder by which the heavenly hosts could descend to Earth and the earthly beings could ascend to heaven. With this formation we are confronted with the challenge of uniting the Earthly to the Heavenly, the challenge of realizing the sacred marriage of Heaven and Earth, spirit and matter! 

The mystic poet and painter, Blake, saw Jacob’s ladder as a spiral staircase. 

So, we have a spiral/labyrinth with steps/stages imposed on the crop on the ground. Is this formation a hint for us that the time has come to consider that spiritual development in daily life is a real necessity? Are we being given a sort of psychic map by which to continue our evolution and the development of our consciousness? What are the consequences if we do not? And is this process one which transforms us into ethereal beings or is it a transformation that includes the physical phenomena of matter on Earth, our bodies, the environment? A hint to answering the last question is: All the crop circles are made IN CROPS, ON THE EARTH, ON THE GROUND. The messages have been coming in plant MATTER, that is mostly used as FOOD for animals and humans on EARTH. Is there a better illustration of ‘The Medium is the Message”? Living matter and life-giving matter is the medium and the message. We cannot afford to deny the fact. 

Whether these symbols and signals are being made by ET’s, the Universe, the Earth, or even people at times, their persistence, beauty, sophistication and relevance to what is going on around the world are important communications for all of Earth’s inhabitants and the lives they live here.  

In ‘The Mystic Spiral’, the author uses an interesting illustration to make the connection to the spiral and awakening on our part. 

“The jewel in this contemporary American postcard is shown with the same purging or clarifying power as the spirals or the path up Mount Purgatory. Only the message is more direct.” (Purce 115) 

Michelle Jennings 

Sources:

Cooper, J.C. An Illustrated Encyclopaedia of Traditional Symbols. Thames & Hudson. London. 1978.

De Vries, Ad. Dictionary of Symbols and Imagery. North-Holland   Publishing Co. Amsterdam. 1974.

Julien, Nadia. The Mammoth Dictionary of Symbols. Robinson Publishing. London. 1996.

Purce, Jill. The Mystic Spiral: Journey of the Soul. Thames & Hudson. London. 1974.

Stevens, Anthony. Ariadne’s Clue: a Guide to the Symbols of Mankind. Princeton University Press. Princeton. 1998.

Walker, Barbara. The Woman’s Dictionary of Symbols & Sacred Objects. Castle Books. Edison, NJ. 1988.




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Scientific Theories


Modern crop pictures and earthquakes: new evidence for a possible relation  

Modern crop pictures have been interpreted to signify many different kinds of phenomena, for example planetary alignments, solar flares, exploding comets, hurricanes, the BP oil spill, or a nuclear power disaster at Fukushima. Few if any crop pictures, however, have been ever been associated firmly with major earthquakes.  

That situation changed on May 20, 2012, when a new crop picture appeared at Bracciano in northern Italy. It showed complex ground features, slight changes of magnetism, and anomalously burnt plant stems (see faenzashiatsu.it or watch). Not far away on the same day (at almost the same time), a major earthquake struck between Parma and Bologna. One day later, there was an annular eclipse of our Sun, which millions of people in eastern Asia or western North America watched. Here we will search for any possible relations between the Italian crop picture, those ongoing Italian earthquakes, and a worldwide solar eclipse?  

As shown below, a new crop picture appeared at Bracciano (white asterisk, above and to the left of San Marino) in the early morning darkness of May 20, 2012. At almost the same time, 4:03 AM locally, a major 6.0 earthquake occurred in northern Italy (yellow asterisk, to the right of Parma and above Bologna):  

We have drawn a dashed white line to illustrate a possible geographic relation between the two events. It proceeds approximately 100 km northwest from the crop picture to an epicentre of the May 20, 2012 earthquake.  

Now if we look closely at the crop picture and its surrounding terrain, we can see that it was drawn on the side of a steep hill. That hill faces approximately northwest toward where the earthquake struck 100 km away. Also, due to the 10o downward slope of that hill, the crop picture points literally “down under the ground” toward where the earthquake and its aftershocks took place, 5 to 10 km deep in the Earth (see news.discovery.com or 2012_Emilia_earthquake):  

What kind of image was drawn within that crop picture, and what might it mean? The Bracciano crop picture showed an intricate two-turn spiral, which may symbolize a “Saros cycle” for any long-term series of eclipses. By counting the number of segments (71) in that long spiral, as well as two (2) standing tufts in its flattened centre, we were able to find a total of 73 standing segments of crop. That is precisely the number of eclipses in Saros cycle 128, to which the solar eclipse of May 20, 2012 belonged (see Bracciano2012e). A small “flattened and twisted tuft” in its very centre may have been meant to suggest an “axis of rotation” about Earth’s north or south poles, where any Saros eclipse cycle begins or ends.  

Such “eclipse symbolism” defines a date for which the crop picture becomes relevant, namely May 20, 2012. Could those crop artists have known about the northern Italy earthquake in advance? If not, how could they have so carefully designed an “eclipse spiral” motif, then laid it out on a steep hill, at almost the same time as a major earthquake 100 km away, and facing in the same general direction?  

When we study all three Italian crop pictures from May of 2012 on a low-resolution map, we can see that they were laid out in the approximate shape of a right-angled triangle (see www.timestar.org  ):   

Riesi appeared (behind a high locked fence) in Sicily on May 5, Settimo in Sardinia on May 12, then Bracciano in northern Italy on May 20. Other possible relations between crop pictures and earthquakes have been noted in the past, covering broad regions of the Earth from Indonesia to Mexico (see triangles-earth-changes-watch ). Yet never before has there been such a direct correlation as for the Bracciano crop picture, which marked a nearly simultaneous earthquake in northern Italy, only 100 km away.  

In summary, there does appear to be a possible relation between the Bracciano crop picture, the northern Italy earthquake, and a worldwide solar eclipse on May 20, 2012. That steep hill, upon which the crop picture was drawn, may have been intended to suggest where the earthquake would take place: to the northwest and deep underground. Likewise its Saros eclipse symbolism may have been intended to suggest when the earthquake would take place: close to the date of a solar eclipse one day later. There is no indication that the crop picture was made to warn local people beforehand. It seems more akin to a “timeline marker” than to a “warning” (see for example www.remoteviewing.com).  

Why did they not draw a crop picture closer to the epicentre of that earthquake, near Parma or Bologna? Well, the Bracciano crop picture appeared only 10 km from the homes of several local researchers. So close in fact, that it became easy for them to investigate (see Bracciano2012b).  

Alternatively, those enigmatic crop artists may have wished to suggest an approximate depth for that earthquake and its aftershocks. If we assume a horizontal distance of 100 km between the crop picture and the earthquake, plus a vertical depth of 5 to 10 km for the major earthquake and its aftershocks, then we can calculate a downward angle of 3o to 6o between Bracciano and a buried epicenter 100 km away. The measured slope of that hill (on which the crop picture was drawn) is actually 10o to 11o downhill, not too far from the calculated values.  

Red Collie (Dr. Horace R. Drew) and Krsanna Duran  

P.S. Many thanks to Giando and Marina, who have provided most of the field data for this very interesting Italian crop formation, and are still investigating!   

Appendix 1. On May 29, 2012, a second major earthquake struck the same region of northern Italy. Again it was 10 km deep in the Earth, close to where the Bracciano crop picture “points” (see http://edition.cnn.com).  

Finally, a reliable local witness claims to have noticed, just before midnight on May 19, two strange white lights flying up into the sky, from the field where that crop picture was found later on the morning of May 20, 2012 (see Bracciano_Bertinoro).

Appendix 2. Clever field symbolism may have been used to relate the time of the solar eclipse on May 21, 2012, to the time of the first Italian earthquake on May 20, 2012  

When you search on Google Earth for the field location of that Bracciano crop picture, the first thing you see is a large and unexpected “rectangle”. To be specific, you can see that a “spiral” crop picture was laid down along the right-hand side of a “rectangle in a field” (dashed red lines below):  

Why would they choose such a strange field location? Could it have anything to do with the annular solar eclipse?  

A map of the solar eclipse (upper left) shows that it also ended along the right-hand side of a “rectangle”, at sunset on May 20 in the western United States. That is equivalent to 3:49 AM on May 21 in Italy. Interestingly enough, the first Italian earthquake took place exactly one day earlier at 4:04 AM on May 20.  

By drawing a “spiral” in crops, representative of the “Saros cycle” for a solar eclipse, along the right-hand side of a field “rectangle”, were those crop artists trying to relate an hourly time of 4 AM on May 21 for ending the solar eclipse, to an hourly time of 4 AM on May 20 for the first earthquake?  

Three UFOs were photographed over Bologna, Italy on May 20 just after the earthquake, along with a rapidly moving disc (see watch or www.youtube.com).

Appendix 3. The solar eclipse of May 20, 2012 belonged to a Saros series with 73 eclipses, and was the only recent eclipse series to match the number of standing segments (73) in a crop picture which appeared at Bracciano, Italy on the same day  

The astronomical “Saros cycle” represents an 18-year period between related eclipses, as they spiral westward across Earth’s surface, either toward or away from Earth’s poles. Within any “Saros series”, there may be anywhere from 69 to 87 eclipses. The most common number is 72, followed by 71 or 73: 

Now if we look just at recent solar eclipses from 2009 to 2013, we find that only the eclipse of May 20, 2012 belongs to a Saros series (128) which contains 73 eclipses. Most of the others contain 69 to 72, while one contains 76.  

A “spiral” crop picture which appeared at Bracciano, Italy on the same day showed 73 standing segments of crop, as 71 in its two-turn spiral, plus 2 in its flattened center (see /Bracciano2012d or Bracciano2012b). There is thus a close correspondence between the May 20, 2012 solar eclipse, its Saros series 128, and a Bracciano crop picture which was found on the morning of May 20, 2012.

As further explanation, we can see below how successive eclipses from any Saros series will “spiral westward” around the surface of the Earth, so as to match a two-turn “clockwise spiral” drawn in crops at Bracciano: 

 

The eclipses shown in this diagram come from Saros series 136, which is producing the longest solar eclipses of the 20th or 21st centuries. It contains 71 solar eclipses, the last of which occurred on July 22, 2009. Saros series 128, which produced the solar eclipse of May 20, 2012, contains two more as 73.



 


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