Monument Hill, Devizes, Wiltshire, United Kingdom. Reported 6th August.

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A Monumental Event!

Monument Hill, Devizes, Wiltshire, United Kingdom. Reported 6th August. 

The appearance of this wondrous crop circle has been timed perfectly to coincide with the New Moon of August 6th! Renewal, emergence, awakening, and new beginning are all associated with the new moon lunar phase. At Monument Hill we have the commemoration of a huge milestone for the Earth. 

After a period of puzzlement, I came to realize that this beautiful formation could be seen as a schematic diagram informing us of the immanent ‘birth’ of the ‘New Earth’ and on top of that, we are shown just how our participation factors in! All the design aspects of this formation work together to give us a hopeful picture for our future. 

The New Moon emphasizes the importance of the seeding effect this formation has on our consciousness. 

The cube within protective rings is very significant, as are the ten connected ‘figures’ and the singular ‘upper body’ form that seems to reach out with arms that connect the ten figures. All the figures together also form a protective ring. When working with the meaning of the figures, I will be referring to ideas of modern masters: Carl Jung who describes four types of personality and Teilhard de Chardin who developed the concept of the Noosphere, Global Consciousness. 

The symbolism of the cube is well known to world cultures in general.  The cube symbolizes the Earth in Chinese and Mayan traditions; it represents salt (the metaphor for form) in alchemy; it is perfection, stability, the foundation.  In this symbol, the cube is in the centre of the formation and surrounded by a kind of capsule.  

The capsule, with the little ‘figures’ in it really bothered me until something made me look up diagrams of the endometrium during the state of pregnancy. I felt a familiarity with the design, yet until I saw the diagrams, I did not really know what it was getting at.   

When we look at the diagrams and descriptions of the aspects of the endometrium of the uterus as it changes to accommodate for an embryo, we can project similar symbolic functions to the beautiful image of a ‘womb’ carrying the New Earth. 

“During the development of a fetus, there are two membranes that separate it from the mother. One of these is called the chorion, which surrounds both the fetus itself and all other membranes within the womb. Chorionic villi originate from the chorion and are used to increase the surface area available to the fetus for the transfer of nutrients between it and the mother. The chorion is made up of an inner and outer layer and also aids in creating the placenta.” (wisegeekhealth) 

When we compare the schema of the Monument Hill crop circle with the diagrams showing the chorionic villi and the placenta, elements in both images correspond. The villi of the medical drawings correspond to the ‘figures’ of the formation. The umbilical cord and placenta correspond to the singular figure with the ‘neck and head’ (albeit the ‘placenta’ in the formation is relatively very small). The amniotic fluid corresponds to the space immediately around the cube, with the circle containing the cube representing the amniotic sac. Containing all is the great circle/uterus. What are we to make of this very visceral and human-like reference to gestation and pursuant birth? 

The ten round-headed figures surrounding the cube in its sac in the Monument Hill formation resemble the organic structures that develop in uteri when an embryo is forming.  

If the Earth is in question here, then the change developing must be significant enough to be represented by the idea of a whole new being! The crop circle presents us with Earth and Her human conscious inhabitants as a unit that is comprised of parts that are interrelated and connected. The relationship of the parts to the whole is most important in bringing about the realization of the birth idea of this image in the fields. 

Just as the chorionic villi work with the placenta within the womb to provide nourishment and protection for an embryo, so too the ‘figures’ around the containing inner circle form a protective and somehow a supportive function to the cubic Earth symbol. In the formation, the collective functioning of the figures is orchestrated and co-ordinated by the singular figure whose ‘arms’ reach out to all the other figures.  

The main reason for the identification of the figures with humans rather than other conscious beings is that they seem to have heads divided into four sections reminiscent of the four personality types of human consciousness described by Carl Jung, the originator of the Jungian psychological practice. The four ego-functions are: thinking, feeling, sensation and intuition. Each human uses all functions, yet most often in each person, one function is dominant and its opposite function is then underdeveloped, while the remaining other two may be more or less developed.

Thinking refers to the use of rational thought, using the intellect to come to an understanding; a thinking type could appear unemotional and detached.

Feeling, the opposite of thinking, is a value-oriented function in which the heart-level of evaluation is predominant, rather then the head-level, when the person is interpreting an event or idea; this type of person could appear more emotional.

Sensation types tend to respond to the actual experience and stimuli of the physical world; the introverted sensate would process the experience through the inner consciousness, whereas the extroverted sensate processes the experience through a pragmatic, materialistic viewpoint.

Intuition is similar to sensation in that it occurs from an outside cause, but not one that is physical. It is characterized by the ‘hunch’, ‘gut-feeling’, ‘ESP’ types of experiences. 

In the Monument Hill formation, each ‘figure’ seems to have one larger section in the head–the section closest to the outer circle. Is it possible that the overdeveloped thinking function of humanity as a whole is represented here?  It would make sense, since the dominant mode of our education systems and all the cultural institutions is a rational, linear approach to reality.  This was another factor that made me consider the ‘figures’ to be human. 

Carl Jung is not the first or the last to describe human nature as fourfold. The alchemists had four names that are being used anew as pictured above. 

The arms of the singular figure seem to continue as a line connecting all the humans at the head. This could indicate a psychic aspect to the role we humans have in bringing about this amazing birth.  The Noosphere is a well-known concept now, thanks to Teilhard de Chardin who developed Vladimir Verndsky’s theory. “For Teilhard, the noosphere emerges through and is constituted by the interaction of human minds. The noosphere has grown in step with the organization of the human mass in relation to itself as it populates the Earth. As mankind organizes itself in more complex social networks, the higher the noosphere will grow in awareness. This concept extends Teilhard's Law of Complexity/Consciousness, the law describing the nature of evolution in the universe. Teilhard argued the noosphere is growing towards an even greater integration and unification, culminating in the Omega Point that he saw as the goal of history. The goal of history, then, is an apex of thought/consciousness.” (wiki/Noosphere)

So, as a complex organization of conscious beings on Earth, we are slowly and hopefully moving in the direction of a new consciousness that will be key to the New Earth so many have been waiting for. The participation of humans as the consciousness of Earth is crucial to this New Being. 

The Noosphere names the next step in evolution on Earth after the geosphere and the biosphere. It is characterized as the community of human thought representing Earth consciousness. 

Ten, the number of ‘human’ figures signifies the all-inclusive; order; the mystic return to unity; completeness and completion; The Monad; the recommencement of a series; infinite expansion; perfection. This is the stage of development that the human race has reached on our beautiful planet Earth. How can we refuse such a wonderful destiny? 

Carl Jung, who loved Nature dearly and felt that our future depended on reconnecting with Nature on the Earth and within ourselves, reflects an attitude that could promote an easy birthing of NEWNESS for all:

“Nature, psyche, and life appear to me like divinity unfolded–what more could I ask for?” (Sabini) 

Michelle Jennings

Sources:

Cooper, J.C. An Illustrated Encyclopaedia of Traditional Symbols. Thames & Hudson.  London. 1978.

Sabini, Meredith. Earth Has a Soul: C.G. Jung on Nature, Technology and Modern Life. North Atlantic Books. 2008.  

http://www.fetalultrasound.com/online/text/3-058.HTM

 http://www.wisegeekhealth.com/what-is-the-chorion.htm#didyouknowout

http://www.kheper.net/topics/Jung/typology.html

http://en.wikipedia.org/wiki/Pierre_Teilhard_de_Chardin

http://en.wikipedia.org/wiki/Noosphere 

http://sonocarina.wordpress.com/2012/04/

http://ascendingstarseed.wordpress.com/category/spirituality-2/guided-meditation/


 

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THAT POINT OF REFERENCE AGAIN? … UPDATED 

On the afternoon of Wednesday, August 14, I eventually succeeded in visiting the formation but the heavy rain that soon developed prevented me from undertaking the comprehensive survey I'd planned. However, the limited number of GPS and other measurements I did take, with David Coggins' invaluable assistance, provided just enough data to enable me to make a number of meaningful deductions concerning the relationship that exists between the superb crop circle and the arc, of radius 31x353 m [measured on the spherical earth model], that was drawn from the estimated centre of Silbury Hill's summit - as described in the above article. 

I first produced the following graphic, derived from a Google earth image. It portrays the positions, relative to the arc, of 8 points I managed to determine the geographical coordinates of [with my hand-held GPS] before the weather deteriorated. The upper 7 points represent the corners of the cube, and the bottom 1 depicts the centre of the unique, isolated, oval glyph:- 

Fig. 1 

Although I knew that each of these 8 nodes will have an expected error associated with it, in the order of a few metres, or even more [as opposed to the desired a few centimetres], it was clear that the above array didn't display any grossly displaced points. I therefore considered it to be worthwhile estimating how the rest of the edifice would fit around the basic skeleton shown and I elected to try, in the first instance, one of Bertold Zugelder's excellent drawings, with his kind permission, as a representation of the formation's plan. 

The outcome is shown below, where it can be seen that - in spite of the inevitable errors in the respective GPS coordinates, coupled with the topographical distortion that exists in the original Google earth image, and Bertold's depiction of an edifice he hadn't actually surveyed - the fit is quite good. Indeed I concluded that it's even possible to deduce, from the drawing, that the arc from Silbury Hill is either tangential to the formation or, close to being so:- 

Fig. 2

This particular outcome was unexpected because I'd anticipated that the arc would have cut the crop circle in some illuminating way. However, it still interested me - for two reasons:- 

1] it revealed that the one minute component of the formation's exterior, that's furthest away from the Silbury Hill point, is displaced [when measured on the spherical earth model] from that point - or from one close to it - by the cited 31x353 metres [= 10,943 m] exactly;

2] our recognition of this fact strongly supports my belief, as set out in my preceding article, that the formation is subtly alluding to the product 31x72p [i.e. 31 x 72nd prime (= 353)]. 

Furthermore, I then noticed that when the radius from Silbury Hill to the possible tangent point is put on the figure, thus:- 

Fig. 3 

- its path through the formation looks interesting. … A diametrically opposing pair of the dominant, circumferential glyphs is cut in a way that could also be described as tangential [although I was always aware of the earlier described errors that the drawing could embody]. 

The radius is close to being tangential to the eastern face of the lower glyph's circular region and is also close to being tangential to the western face of the upper glyph's circular region - as depicted below, where parts of the formation have been erased so that these relationships can be highlighted:- 

Fig. 4 

Having been drawn to this interesting but unimpressive link between the two glyphs and the Silbury Hill radius, it occurred to me that, if it truly exists [even in a slightly different form], its apparent mediocrity may have constituted an invitation for us to make a simple adjustment to the geometry. … 

If the drawing of the formation is subjected to a small anticlockwise rotation the central, longitudinal axes of the glyphs will line up with the radius, producing a more aesthetically pleasing figure:- 

Fig. 5 

And when I discovered that the angle of rotation needed to bring about this transformation is in the order of [bearing in mind that we're using an imperfect source] I realised something remarkable. This angle is 360°/72, and we know that the radius from Silbury Hill is defined in terms of the factor 72 [expressed as 72p (= 72nd prime), 353]: on the spherical earth model, I've described, the radius measures 31x72p metres. This information is displayed below:- 

Fig. 6 

Although I appreciated that the possible presence of errors means that we cannot be totally confident about this relationship [in the precise form indicated], it now seemed feasible, at least, that the formation's adept architects had manipulated us into finding the cited simple mechanism, involving the angle . They knew that our discovery of it could serve as a subtle means of confirming the link that exists between the Silbury Hill radius and the described 72. However, I soon realised that the depicted arrangement confirms much more than just that. … 

Firstly, if we label the penetrated glyphs 1 & 2 [starting, say, from the tangent end], thus:- 

Fig.7 

- it's clear that the juxtaposition of this intimately linked pair of numerical labels can infer a: 

12. 

We therefore have a situation where the glyphs are closely tied, on the one hand, to the factor 72 [because they were rotated through an angle that equals a circle divided by 72] and, on the other, an inferred 12

But it happens to be the case that the radius they are both disposed on, from the estimated centre of Silbury Hill's summit, has a value [measured on the cited, spherical Earth model] that can be expressed exactly as:- 

72p x 12p metres

or

353 x 31 metres

[= 10,943 m] 

Secondly, if the glyphs are numbered in a more global context i.e. consecutively starting from the earlier defined 1st [which is alongside the tangent], we find that the two penetrated by the radius from Silbury Hill are in positions 1 & 7, as illustrated below:-

Fig. 8 

But we know that the juxtaposition of the primes 1 & 7 can infer the prime 17, and the digits that the first 17 primes comprise add up to another prime, 103, which can be expressed as:- 

72 + 31 

And it's the case, of course, that the expression 72p x 31 yields another manifestation of the described radius from Silbury Hill, expressed in metres. 

Before proceeding I would add that, as strange as it sounds, the prime 17 can also be inferred from the depicted arrangement in another two, independent ways and each could generate its own manifestation of the above cited computation [which I'll obviously avoid here!]. … 

a] The 2 special glyphs are encompassed by 8 others [of that type], and the 8th prime is … 17.

b] These 8 other glyphs are in a 5-3 configuration, thus:- 

Fig. 9 

- and 5 juxtaposed with 3 can infer 53, which happens to be the 17th prime. 

Thirdly, the key observation at the start of this stage of the investigation was that the arc I'd drawn, from Silbury Hill, appeared to be tangential to the formation. And this property of being tangential also played a role in the relationship I first identified between the radius and the diametrically opposing, circumferential glyphs. With this in mind, then, I was interested to note that the word TANGENTIAL comprises the same tally of letters as there are glyphs [of the type under discussion] in the formation: 10. I therefore wanted to know if these letters embody any other relevant links to the crop circle, and I soon found one that is definitive. … 

When I endowed each letter with a value in accordance with its position in our 26-lettered alphabet I obtained a very familiar prime:- 

103

[= 20+1+14+7+5+14+20+9+1+12] 

- which I knew could hardly be more closely related to the radius, from Silbury Hill, that terminates where the arc appears to be tangential to the formation:- 

Fig. 10 

Concluding comments

Although my survey of the formation was deficient, it's evident that I couldn't have generated the links to the radius from Silbury Hill, I have exposed, if they did not exist. Not only is each one simple and elegant but it is also exact. My argument must therefore be corroborated fully. 

I'd add that if we assume the beings communicating with us, through the crop formations, are hyper-intelligent they would realise that they'd be obliged to use a medium that all races and creeds could understand, devoid of the ambiguities and complexities of mankind's semantics. It shouldn't surprise us, then, if they use the universal language: number and prime numbers. 

© Neil Hudson Newman: 22 August, 2013



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