Berkley Lane, nr Frome. Somerset. Reported 17th June.

Map Ref: ST799493

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Updated Wednesday 22nd August  2012

 

AERIAL SHOTS GROUND SHOTS DIAGRAMS FIELD REPORTS COMMENTS ARTICLES
17/06/12 18/06/12 18/06/12 17/06/12 18/06/12 22/08/12

Image Terry Lawrence Copyright 2012


The Recurrence of the Sangréal 

supplementarily to the 

'Berkley/nr Frome/Somerset 2012' crop circle

 Chart 1: click (here) to enlarge and download. 

And there it is! As I correctly have predicted, the Crop Circle Creators share with us one essential key for the geometric and numerologic reconstruction of  'East-/West Kennett 2011' in the context of the Pythagorean 3-4-5 dynamics. With 'Berkley/Frome 2012' they give us the crucial unit circle! 

Please open the folder below,

and also read our comments (1) (2) (3) (4) (5) or download them from (PDF), thank you! 

 

Folder: click (here). 

Not only holy geometric but also cosmologic and mystic content lies in this superb design, that came down near two traffic circles in clear resonance with 'East-/West Kennett 2011' and 'Wickham Green North/South 2010' (1) (URL). These two traffic circles give further clues for reconstructing the inner circle from the two squares.

Furthermore we see the nearby Iron Age cult site Roddenbury Hillfort (wikipedia) in historic and mythic resonance with the whole context. 

 

Image: click (here). 

How and when did we receive the cosmologic informations?

We had celebrated the Venus transit on 06-06-2012 and Her returning visibility four days later at the hill top of an ancient Atlantean cult site: the Silberfels in the Black Forest/Germany; another four days later we went on the Baden Belchen in the Belchen Triangle to celebrate the Recreation of Man and the Erection of the Tree of Life according to the Mayan Calendar (Marc Smulders-Correlation and his perceptions) (article). Thank you, Marc!

The Silberfels, the Baden Belchen, Teotihuacán and Chichén Itzá share profoundly holy numerologic context within the so-called "Munck Pyramid Quantum Grid', rediscovered by Carl P. Munck (YouTube) (website). 

- Silberfels 47°49'52"N/8°5'7.8"E/23°2'47"W (Munck-MPGN: 333/3): Venus setting on 06-10 → 'Silbury Hill 06-12-2012' – 302.8°

- Baden Belchen (47°49'19.9"N/7°49'59.9"E/23°17'57.1"W (Munck-MPGN: 127/31): Venus setting on 06-10 → 'Woodborough Hill 06-09-2012' – 303°

- Baden Belchen: Venus setting on 06-13/14 → 'Berkley 06-17-2012' – 301.3°

- Breisach Cathedral (48°1'45"N/7°34'48.5"E/23°33'8.5"W (Munck-MPGN: 6/9): Venus setting on 06-20 → Glastonbury Tor – 298.9° 

 "YUNASAI"

The Galactic Merkavah of the "Rejected Cornerstone"

will be planted in September 2012,

in honour of the dynastic birthday of Jesus the Christed One. 

Chart 2: click (here). 

With the new moon (☷) in zenith over Teotihuacán on 06-20, the exact alignment 'Woodborough Hill 2012'–'Berkley 2012'–Glastonbury Tor will be accomplished from St. Stephen's Cathedral (wikipedia) in Breisach, the home town of the renowned medieval painter and printmaker Martin Schongauer and one of the most eminent adept and bearer of the Holy Grail (wikipedia). 

The New Man has traversed the precipice. Now we all have a new way on this Holy Mother Earth and nobody ever can take this truly spiritual accomplishment away from us. (YouTube) Welcome in "Cennyd", the Pictish word for ‚born from star fire‘! 

 

TRANS LUMINEM PURITATIS NECTAREI

MANIFESTATIO OMNIS REDIVIVE

LUCESCITUM MORITUR. 

Tâmratejas & Dyugosâ 

www.logos-radionics.de 

Keys, sources and URLs: 

- The Belchen Triangle (1) wikipedia (2) on Regio Basiliensis (3) by Rolf d'Aujour d'hui (PDF)

- The Pythagorean Triangle and Its Esoteric Meaning (article) by Antonietta Francini (Scribd)

- The Fountain: film by Darren Aronofsky (wikipedia)

- TRON Legacy: film by Joseph Kosinski (wikipedia)

- In the Light of Trinity (website) by Marc Smulders

- Ashayana Deane (YouTube) Keylontic Science (website)

- Knowledge in Stone - the Primal Inch (YouTube) Axel Klitzke (German)

- The Glastonbury Tor Maze (article) by Geoffrey Ashe

- Wickham Green 2010 (Vimeo

Tools: 

- CalSKY (website) Stellarium (website) GoogleEarth (website)

MARCEL


 

CLICK HERE FOR THE LATEST CROP CIRCLE CONNECTOR DVD


Squaring Berkley Lane  

Circle 1 = big outer circle (black)

Circle 2 = centre circle standing crop (black)

Circle 3 = outer perimeter of circle with standing ring (red)

Circle 4 = small circle standing crop (yellow)

Circle 5 = very small circle in circle 2

Circle 6 = virtual circle with midpoint of circle 2 and touching circles 3 and 4 (blue)

Circle 7 = inner perimeter of the standing ring of circle 3 (green) 

Steps to square the circle (fig. 1, page 3) 

1)      Draw the centre axis through circle 2 and 3 and extend it outside circle 1

2)      Do the same with circle 2 and 4

3)      Draw a circle around circle 2 which touches circles 2 and 3 ( circle 6)

4)      Copy outer perimeter of circle 3 three times to the other axes so, that they are centered and that their perimeter touches circle 6

5)      Copy circle 4 four times and put it 'on top' of the circles of step 4 and centre it on the axes

6)      Draw a square around the circles of step 5: this is the square that defines the squaring of the main circle! 

And what about the the very little circle in the centre circle (circle 5)?

Why is it there? What does it say?

It appears that the distance of the centre of it to the edge of circle 2 is the radius of circle 3.

Circle 3, copied six times in circle 2, fits great, forming a flower pattern.

I am also intrigued by the circle formed by the inner perimeter of circle 3 (the one with the standing ring) which i will call circle 7.

I wonder if it does have a function in the total design but now i do not see it. 

Update July 13th (fig. 2, page 3)

After having yesterday's result I could not stop thinking about this crop circle and every time I went back to it, stared at it and tried to find more but i did not know exactly what, until.......

Circle 6, which touches circles 3 and 4, does not actually exist in the field but on paper it does and it appears to be an important part of the design.

So would it not be nice to see if it is possible to square this one as well?

And again i found the solution!

Draw four lines, each starting in the corners of the 'big square' and running tangent to circle 2. The result is squaring the -virtual- circle 6!!

As well as circle 6, the corner points do not exist in the field but they too form an important part of the design. 

Update July 14th (fig. 3, page 4)

I think I am going nuts!

I can't keep my thoughts from this crop circle so this morning i made some prints and again stared at them for some time.

Suddenly I see something i have totally overlooked in first instance.

How could I be so short-sighted?

The tramlines!!

There are four tramlines cutting the crop circle and i will name them, from left to right in the picture, A,B,C and D.

Just now I notice that circle 7 (the inner perimeter of the circle with the standing ring)  touches tramline B (the second tramline from the left).

The perimeter of the central circle (circle 2) touches tramline D (the most right tramline).

Now I see: I found a second method of squaring circle 6!! 

The steps are as follows:

1)      Mark tramline D by drawing a line touching circle 2

2)      Draw a line tangent to circle 2 and circle 7: it appears to run parallel to the tramlines and so parallel to the line of step 1

3)  Connect the lines of step 1 and 2 by two lines with 90 degree angles, tangent to circle 2

4)  Result: a square and a second method of squaring the -virtual- circle 6!  This square has, of course, the same size as the square of the first method.

This second method of squaring the circle (and maybe it should be the FIRST one) is defined by the tramlines in the field. This reminds me of the Barbury Castle formation of June 1st 2008 where the public pathway did the same. 

Afterword: 

I am quite astonished by what I found. Squaring the circle: okay, but squaring a virtual circle: crazy! Finding two methods of squaring the circle: insane!

And then: doubt.......am I right?  

Please don't hesitate to give your reactions/comments

Rieks Schreuder     

  


fig. 1

 

fig. 2



fig. 3



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