|
|
|
Liddington Castle, nr Swindon,
Wiltshire. Reported 2nd June
Map Ref:
This Page
has been accessed

Updated
Monday 10th December 2018 |
|











By discovering this crop I felt a giant hole!

Much to
my surprise a giant hole in Guatemala City was discovered!

Can you think of a relationship between the two
phenomena?
|
I've been following
the crop circles for some time now and have only commented once
before, but this particular circle had immediate meaning for me that
I feel compelled to share. To me the circle represents The Flow and the
duality of light and dark converging to a singular point.
There are 18 sections, 1, 8 or 1 infinity. The
circles within the circle look like magnifying glasses to me and
within these the light and dark sections switch, light becoming dark
and vice verse. To me these represent attention, focus, or
consciousness and remind me of an aspect of being on the spiritual
path which is to realize that we have the ability to consciously
select amongst many perspectives at any given moment in time. We
can change darkness to light, or hell to heaven, and back
again simply by how we choose to view it.
This I believe to be the true meaning of our
'free will'. Thank you for your time. And thank you for all
that you do regarding the crop circles.
MJ
|
|
Matthew good afternoon,
this is Humen of the Zeta Reticulans. I am here again with Filo and with
Meroth. We’re delighted to bring you more information about the latest
crop circle at Liddington.
One thing we should say
at this point is that many people are looking for far too much
complication in these designs Matthew. The idea of using imagery in this
way is to try to communicate a really rather simple and straightforward
message. With the exception of a very few, which are undoubtedly more
complex; the majority of this work is an attempt to direct mankind
towards issues which are going to rise to the surface during this
extremely important period of change.
So you will see in this
circle that there are other circles, not concentric in this case, of
different size circumference. The clear message which we are trying to
impart through using this imagery is to do with gravity; it’s to do with
gravitational tug if you like, which exists between planets.
This is a force which is
reasonably well understood by man, and indeed it is a force which has
been used beneficially very recently and assisted him in his own fairly
limited exploration of his solar system. It is understood how celestial
bodies operate in proximity to each other, and the forces which they
bring to bear upon each other.
So gravity as a force is
fairly well understood. What is extremely poorly understood is the
actual nature of this force, and as we’ve been telling you on a number
of occasions - or more correctly your spiritual team has been telling
you - gravity is essentially the same force as magnetism.
Now we know that this is
a statement which in the past has attracted a good deal of criticism,
and the physics and science behind a statement like this are very
unclear: it will be considered by many to be spurious. Do not be
concerned about this..
Simply at this stage
take on board that the clear message in this circle at Liddington is
that this force which operates between large and small celestial bodies
– gravitational tug - call it what you will, is something which a lot
more information will be made available about very soon. It is as we say
very much akin to magnetism although your scientists at this stage would
deny this very strongly.
So once again thank you
for taking the time to work with us in this way. We look forward to
talking to you again soon. Good afternoon.
Matthew Lewin
www.thenewgoldenera.co.uk |
|
The Power and the Glory
The Battle Field and the Resting Place
Liddington Castle and Codford St. Peter
Liddington Castle. This is Pluto. We could call him
Prince Pluto - former known as the Planet Pluto. Pluto and his
moons. Charon, Nix and Hydra. Pluto is power. Black and white. Power
and destruction - and the opposite rebuilding and reneval. New
beginnings.
Codford St. Peter. This is a
wreath. A red
wreath.
Let us be silent for a moment and honour our loved ones who died in
the battle fields.
Anni Brandt
|
This circle seems to refer to water. H20 is
obvious in the design, plus the lensing effect of a water droplet.
Living in the Tropics, I've seen a few sink-holes, but nothing like
this one in Guatemala. That hole seems to have been water-jetted (?)
out. Still looking for dimensions to compare it to Liddington
Castle. I wonder what they'll find down there. Apart from half the
town.:-)
Brian Corr.
|
1)
Illustration showing the locations of the first reported seven crop
forms in the UK 2010 shown with lines joining them. The southern
triangle is isosceles.
Click on Thumbnail to enlarge
2) Illustration includes the
earthwork Figsbury Ring.
Mark Vidler |
What an irony! Right before I flipped over to
Crop Circle connectors, I read this article:
planet tripleplay saturn mars and venus appear together. It
hits me they may be talking about the natural transition of the
planets. It will be going on far longer than a solar eclipse,
...and now I am wondering if the planets will transit the sun
too. With five figures in the glyph, this means Saturn, Mars,
Venus (largest of the small ones) Moon, earth, or maybe Earth,
Sun?
Patricia Douglas |
|
.jpg)
.jpg)








.jpg)
Here's the observations I've made about
Liddington Castle. Could you please include the attached
images on the comments page for this Crop circle. The images
are numbered in sequence.
Luke Peacock.
|
|
This formation has a close relation with Near Old
Sarum, Near Stonehenge, Near Windmill, Near Silbury
Hill, Near Warminster and
Near Stony Littleton
Long Barrow.
All this formations point to June 12th at 11.15 am UTC time
of the beginning of the New
Moon and the beginning of a new Lunar
month in the Sumerian calendar. There is a Planet (Nibiru?)
and two ships/stations near The Earth that are going to be
visible from June 12th. More information in my YouTube channel.
|
|
Crop
Circle at Liddington Castle – June 2nd 2010
I am
here to bring forth the message from our crop circle friend in relation
to the pattern laid down at Liddington Castle and reported on the 2nd
of June. And he is saying;

Many have commented on the exquisite proportions and the quality of
execution of this pattern, and we appreciate your kind words in regard
to this pattern; and there are several threads to this pattern. Although
humanity by and large at a conscious level is unaware of the power and
importance of cycles, again on a subconscious level humanity is very
aware of these cycles and patterns. Indeed all of you, before you came
forth into this life were aware of the unfolding of events beginning
with that December solstice at the end of 2012, and you could say
culminating with Ascension at the equinox of March 2013.
So there is this awareness and this pattern is partly about reminding
the subconscious about the exquisite interplay of cycles, how they are
interwoven, how the entire cosmos is like a clockwork pattern, all
interwoven, all planned, all structured and so this pattern is a
reminder of this. Some have also commented that you can analyse the
geometry and see that it is pointing to the 26th of June, and indeed
that is also an aspect of this pattern. It is pointing to that full moon
which is also a partial lunar eclipse, and following on from the
impending solstice it will also be a very powerful event and I do not
wish to discuss the detail of the energies and their purpose. That is
not my role. But again the subconscious will understand this pattern and
will be aware of the pointer to this date.
And so this pattern serves many purposes but these are the two key
elements that are being communicated by this pattern.
|
That is the connection here.
Carolyn - Thank you.
Blessings, Joy, Love and Peace.
Richard Presser
www.the2012countdown.com
|
 |
Copyright © 2010 Cosmic Connections (International) Ltd
|
YouTube Link for
Liddington 6-2-10:
http://www.youtube.com/watch?v=byTCHaMIwuo
Liddington, Ufton and Pewsey seem related with regard to style, 3D
projection effects when rotated and of course, conceptual
expression.
Mike Lavender |
|
|

BACK |
Mark Fussell & Stuart Dike |
|
 |