Stanton St Bernard (2), nr Alton Barnes, Wiltshire. Reported 29th June.
(PHASE 2)

Map Ref: SU098621

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Updated Thursday 19th  July  2012

 

AERIAL SHOTS GROUND SHOTS DIAGRAMS FIELD REPORTS COMMENTS ARTICLES
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Rose Rossa


 

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Stanton St. Bernard (Phase II) of July 15, 2012 showed “crescent Venus close to our Moon eclipsing Jupiter”, as the eighth crop picture in a series depicting the current astronomy of Venus 

Many people were amazed on July 15, 2012, when a somewhat old crop picture from June 29 known as the “cathedral” changed suddenly overnight to add a second and equally beautiful Phase II nearby. That would be one of the most unpromising fields in which to construct a human-made fake, as those persons who encountered an angry farmer after Phase I could testify.  

An aerial image of both Phase I (from June 29) and Phase II (from July 15) is shown below:  

 

Phase I showed how planet Venus would shine brightly among five high-magnitude stars of the constellation Taurus on July 5, 2012. Those five stars were compared metaphorically to the “five spires” of a Christian cathedral, while Venus would be the “large cross” on top of a cathedral, say at Westminster (see www.dailymail.co.uk). 

Phase II now shows how planet Venus shone as a “crescent” from just below a large crescent Moon on July 15, 2012, while our Moon was eclipsing (or occulting) Jupiter. Two different symbols for Venus as a “bright shining cross” (in Phase I) or “bright thin crescent” (in Phase II) were linked together in the crop picture by a thin line.  

Although it cannot be seen from this diagram, each phase of the Stanton crop picture also lines up with similarly-shaped features in the nearby landscape. Below those “five spires”, one can see a series of similarly-shaped radio towers several km away. Above the “upper circle”, one can see a large round knoll across the road near Milk Hill several km away.  

Our Moon eclipsed (or occulted Jupiter) on July 15, 2012 at 0300 UT 

Now let us look at Phase II of Stanton more closely. It was apparently made to mark an important astronomical event on the same day (or even hour) when it appeared:  

 

Near the bottom of Phase II we can see a “thin crescent” symbol for planet Venus, which has been shown already in a series of crop pictures from the summer of 2012. Then in the middle we can see a “line of stars” which match certain stars in Taurus. Finally near the top we can see a “double crescent” symbol for a large “crescent Moon eclipsing Jupiter”. This rare astronomical event could be seen in the sky over Wiltshire on exactly the same morning when Phase II appeared.  

“On Sunday, July 15, 2012 at 03:03 UT, the Moon and Jupiter made a close approach within 0°29' of each other in the morning sky. The Moon shone at magnitude  -10.5 and Jupiter at magnitude  -2.1 in the constellation Taurus. At a declination of +20°42' the pair could be seen best in the northern hemisphere. At a latitude of 50° N, they rose 4 hours and 13 minutes before the Sun” (see dcford.org.uk/ or www.space.com). Actual sky mages of our Moon occulting Jupiter may be found on www.youtube.com or /earthsky.org/tonight).  

If we compare next the Phase II crop picture at Stanton to an actual sky photograph of that rare event, taken a few hours later at 0500 UT on July 15, we can see other convincing details:  

 

Here the large crescent shape of our Moon appears clearly, although similar crescent shapes for Venus or Jupiter are too small to be seen in a low-resolution sky photograph. Also in the middle we can see a diamond-shaped asterism of four stars, with two other bright stars on left or right, just as was drawn in the crop picture. 

A whole series of crop pictures from the summer of 2012 seem to describe a “current astronomy of Venus” 

If we next compare a “thin crescent” shape for Venus as drawn in Phase II at Stanton, to other “thin crescent” shapes as drawn earlier in the summer at Woodborough on June 9, Milk Hill on June 25, or Picked Hill on July 9, we can see a close similarity:  

How many “Venus astronomy” crop pictures have there been overall? In order to address that question, we list in a Table below most important crop pictures which have appeared (so far) during the summer of 2012. Then we label in red italics those crop pictures which seem to describe a “current astronomy of Venus”:  

Table 1. Important crop pictures so far during the summer of 2012 

Date of appearance

Field location

Level of complexity

Subject matter

May 5, 2012

Riesi, Sicily

low

Venus as a 5 or 10-pointed star

May 12, 2012

Settimo, Sicily

low

Venus approaching solar transit

May 20, 2012

Bracciano, Italy

medium

Saros series for the annular solar eclipse of May 20

May 28, 2012

Wewelsburg, Germany

low

three-armed ribbon

June 2, 2012

Manton Drove, Wiltshire

medium

“polar clock” for August 4 or 5, 2012

June 6, 2012

Orchowo, Poland

low

stars in the “horn” of Taurus

June 9, 2012

Woodborough Hill, Wiltshire

high

Venus emerging after transit as an “ocean sunfish”

June 12, 2012

Silbury Hill, Wiltshire

low

five-armed spiral

June 17, 2012

Santena, Italy

high

Sun and Mercury in Cancer on August 4, plus four inner planets on December 21 (Mayan date)

June 17, 2012

Berkeley Lane, Somerset

low

our Moon occulting Jupiter on July 15 with Venus below

June 17, 2012

Wenlock Wood, Shropshire

low

days left until the summer solstice

June 20, 2012

Golden Ball Hill, Wiltshire

low

“seed of life” from sacred geometry

June 23, 2012

Fabbrico, Italy

high

Pleiades, Jupiter and Venus on June 23 with date given by the Mayan calendar

June 25, 2012

Milk Hill, Wiltshire

high

Venus entering the stars of Taurus as a “sunfish” or “serpent”

June 25, 2012

Cherhill, Wiltshire

low

four simple rings

June 26, 2012 (daylight)

Knoll Down, Wiltshire

low

“tailed serpent”

June 29, 2012

Stanton St. Bernard, Wiltshire

high

Venus in five bright stars of Taurus as a “cathedral”

July 1, 2012

Waden Hill, Wiltshire

high

triangular “flower of life” from sacred geometry

July 1, 2012

Chilcomb Down, Hampshire

low

simple cube

July 1, 2012

Wanborough Plain, Wiltshire

high

“star tetrahedron” from sacred geometry

July 5, 2012  (man-made)

Boreham Woods, Wiltshire

medium

“hungry caterpillar” from children’s literature

July 9, 2012

Picked Hill, Wiltshire

high

Venus leaving the stars of Taurus as a “sunfish” or “serpent”

July 11, 2012

Etchilhampton Hill, Wiltshire

high

“granular Sun” with a basket weave

July 11, 2012

Burrow Hill Fort, Warwickshire

medium

“solar flare” anticipating a real solar flare on July 12

July 15, 2012

Stanton St. Bernard, Wiltshire

medium

our Moon occulting Jupiter above the stars of Taurus with Venus below

July 17, 2012 (man-made)

Juggler’s Lane, Wiltshire

low

twelve-fold “flower”

This analysis suggests that there have been eight crop pictures overall, whether appearing in southern England, Italy or Poland, which deal with a common theme of describing how planet Venus is currently moving through Earth’s sky.

Planet Venus and legends of Quetzalcoatl or Jesus Christ

Why would those paranormal crop artists care so much about planet Venus? Well, they also seem to care a lot about ancient Mayan calendars, as shown in crops at Santena or Fabbrico in Italy, and how the Long Count will end on December 21 or 23 later this year.

The Mayans were great observers of planet Venus, as evidenced by a special observatory called “El Caracol” in Chichen Itza (see El_Caracol,_Chichen_Itza) or by a Venus Table in the Dresden Codex (see www.bibliotecapleyades.net).

They also associated their legendary teacher Quetzalcoatl with movements of planet Venus through Earth’s sky (see aad.berkeley.edu):

“The legendary king Ce Acatl (‘One Reed’) Quetzalcoatl was forced from his kingdom at Tula by a sorcerer. He made his way to the east coast of Mexico, where he cremated himself on a funeral pyre. His heart went up with the ashes, and he was transformed into Venus as a morning star. Yet he was destined to return, reborn as Lord of the Toltecs in a year called ‘One Reed’ from their 52-year calendar. This process would be symbolically represented by a heliacal (morning) re-appearance of Venus as a morning star.”

The long-awaited return of Jesus Christ is described by a similar prophecy, given on the last page of the Christian New Testament: “I am the root and offspring of King David, and the bright morning star”. Could this be why we saw planet Venus symbolized by a “cross on top of a cathedral” in Phase I of Stanton St. Bernard on June 29?

Since the year 2013 will be “One Reed” (first of a 52-year cycle), and since Venus underwent a heliacal rise on June 10, 2012 just after solar transit, and since all of its sky movements since then have been carefully tracked and documented in various crop pictures (which sometimes feature the Mayan calendar), one does not have to be a great genius to surmise where all of this paranormal activity might be leading! The second half of 2012 and first part of 2013 should be interesting times indeed.

Appendix 1. The sky location of Venus as suggested by Phase I of Stanton St. Bernard was not exactly from Earth 

When we study the metaphorical image of “Venus plus five stars” shown in Phase I of Stanton St. Bernard on June 29, we can see with a little reflection that the artist’s view was not exactly from Earth. Venus on a date of July 5, 2012 should have shown sky coordinates of RA, Dec = 4 31, +17 23o as seen from Earth. Yet Venus as drawn in the crop picture (as a four-pointed star) showed sky coordinates of approximately RA, Dec = 4 15, +14o

The total angular difference of view amounts to 5o for RA and Dec combined. Given an Earth-Venus distance of 50 x 106 km on July 5, that would amount to 4.4 x 106 km away from Earth in space, or about 12 Earth-Moon distances. At Santena in Italy on June 17, the sky view as shown in crops for our Sun and Mercury in Cancer was estimated to be 20 Earth-Moon distances away in space.

Red Collie (Dr. Horace R. Drew, Caltech 1976-81, MRC Laboratory of Molecular Biology 1982-86, CSIRO Australia 1987-2010)



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Crop Circles-UFO's-Ancient Mysteries-Scientific Speculations


The new Phase 2 circle at Stanton St Bernard was created 18 days after the first "spaceship" looking circle there appeared,  i.e. 6.29.12 to  7.17.12 = 18 days. If you count 18 days ahead from today it takes you to August 4th - which is the Polar Clock date from another Circle posted on your site at Manton….Maybe it means something?
 

Patricia Mason


Stanton St Bernard (2), nr Alton Barnes, Wiltshire. Reported 29th June Phase 2, July 17 

I think that the main purpose of the Crop Circles is to introduce the ET Corn Gods Language and Game (www.ufoetblog.com and www.etcorngods.com). 

Note: The Crop Circles and the ET Corn Gods language/game are both “acts of god”.  Neither could have been performed by man.  They couldn’t have been performed by “ET’s” or “UFO”, but such things/beings could not gotten here from any planet/star system.  The Crop Circles and the ET Corn Gods are a very creative way for “GOD” to make an intellectual appearance on Earth. 

The hidden messages of the ET Corn Gods language/game are brutal, anti religion, anti atheist, etc.  The translations prove that everything was pre-planned (Predestined). 

The Stanton St Bernard (2) Crop Circle formation graphics - Phase One (rough to show that the ET Corn Gods language/game is not precise, but rough) shows multiple patterns of 5, pointing both directions.  There is also one pattern of 7, and the five rectangles have 4 sides each. 

Phase Two Also Shows the use of the Number 5. 

Phase One: The key ET Corn Gods language/game formula evolves from the number “5”, “five”. 

Formula: Five = I-f ve = c ve = ev.  (The letter C and the letter U allow the turning of the adjacent letters 180 degrees). 

The letter “E”, letter “5” is Roman Numeral “V”, and “5” can be made into “500”, Roman Numeral “D” which is number “4”.  (The language/game rules allow the addition of “0’s”.) 

4+66 = “70”, “7”.  (The number 66 can be added or subtracted at will).

 Therefore:  The patterns of “5”, “4” and “7”

Phase Two: There are three patterns within a Circle.  One of the patterns contains a circle and an arc (total of 2).  Another of the patterns shows two arcs and a circle (total of 3).    These first two patterns, together = 23.   The third pattern shows a line with five jutting patterns (total of 5). 

In the ET Corn Gods language/game, Five = 2+3Five = 23Five = 5.

George



FOR VISITING THE CROP CIRCLES.


Rising from the tidal and seismic waves

Image JW Copyright 2012



"An Exercise in Discernment." 

This formation is a high quality creation. It is precise, faultless geometry, no errors and a smooth neat crop lay. Why would human circle makers adjoin this to directly to the phase 1 formation where it serves to expose the latter's  poor quality, design faults, numerous errors and very crude lay of a typical human effort? Of course human circle makers didn't do it  --  "E.T" did ! 

 
Jack Sullivan

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This is an image of Lichfield Cathedral from 'The View Over Atlantis' dated 1969, by the late great John Michell. The sacred geometry within the design reflects the magic square of Mars which is a 5 X 5 grid comprising the numbers from 1 to 25. 

Judith Simpson


Sebahattin Canbaz



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