Stanton
St. Bernard (Phase II) of July 15, 2012 showed “crescent Venus close
to our Moon eclipsing Jupiter”, as the eighth crop picture in a
series depicting the current astronomy of Venus
Many
people were amazed on July 15, 2012, when a somewhat old crop
picture from June 29 known as the “cathedral” changed suddenly
overnight to add a second and equally beautiful Phase II nearby.
That would be one of the most unpromising fields in which to
construct a human-made fake, as those persons who encountered an
angry farmer after Phase I could testify.
An
aerial image of both Phase I (from June 29) and Phase II (from July
15) is shown below:
Phase I
showed how planet Venus would shine brightly among five
high-magnitude stars of the constellation Taurus on July 5, 2012.
Those five stars were compared metaphorically to the “five spires”
of a Christian cathedral, while Venus would be the “large cross” on
top of a cathedral, say at Westminster (see
www.dailymail.co.uk).
Phase II
now shows how planet Venus shone as a “crescent” from just below a
large crescent Moon on July 15, 2012, while our Moon was eclipsing
(or occulting) Jupiter. Two different symbols for Venus as a “bright
shining cross” (in Phase I) or “bright thin crescent” (in Phase II)
were linked together in the crop picture by a thin line.
Although
it cannot be seen from this diagram, each phase of the Stanton crop
picture also lines up with similarly-shaped features in the nearby
landscape. Below those “five spires”, one can see a series of
similarly-shaped radio towers several km away. Above the “upper
circle”, one can see a large round knoll across the road near Milk
Hill several km away.
Our Moon
eclipsed (or occulted Jupiter) on July 15, 2012 at 0300 UT
Now let
us look at Phase II of Stanton more closely. It was apparently made
to mark an important astronomical event on the same day (or even
hour) when it appeared:
Near the
bottom of Phase II we can see a “thin crescent” symbol for planet
Venus, which has been shown already in a series of crop pictures
from the summer of 2012. Then in the middle we can see a “line of
stars” which match certain stars in Taurus. Finally near the top we
can see a “double crescent” symbol for a large “crescent Moon
eclipsing Jupiter”. This rare astronomical event could be seen in
the sky over Wiltshire on exactly the same morning when Phase II
appeared.
“On Sunday, July 15, 2012 at 03:03 UT, the Moon and Jupiter made a
close approach within 0°29' of each other in the morning sky. The
Moon shone at magnitude -10.5 and Jupiter at magnitude -2.1 in the
constellation Taurus. At a declination of +20°42' the pair could be
seen best in the northern hemisphere. At a latitude of 50° N, they
rose 4 hours and 13 minutes before the Sun” (see
dcford.org.uk/ or
www.space.com). Actual sky
mages of our Moon occulting Jupiter may be found on
www.youtube.com or
/earthsky.org/tonight).
If we
compare next the Phase II crop picture at Stanton to an actual sky
photograph of that rare event, taken a few hours later at 0500 UT on
July 15, we can see other convincing details:
Here the
large crescent shape of our Moon appears clearly, although similar
crescent shapes for Venus or Jupiter are too small to be seen in a
low-resolution sky photograph. Also in the middle we can see a
diamond-shaped asterism of four stars, with two other bright stars
on left or right, just as was drawn in the crop picture.
A whole
series of crop pictures from the summer of 2012 seem to describe a
“current astronomy of Venus”
If we
next compare a “thin crescent” shape for Venus as drawn in Phase II
at Stanton, to other “thin crescent” shapes as drawn earlier in the
summer at Woodborough on June 9, Milk Hill on June 25, or Picked
Hill on July 9, we can see a close similarity:

How many
“Venus astronomy” crop pictures have there been overall? In order to
address that question, we list in a Table below most important crop
pictures which have appeared (so far) during the summer of 2012.
Then we label in red italics
those crop pictures which seem to describe a “current
astronomy of Venus”:
Table 1.
Important crop pictures so far during the summer of 2012
|
Date of appearance |
Field location |
Level of complexity |
Subject matter |
|
May 5, 2012 |
Riesi, Sicily |
low |
Venus as a 5 or 10-pointed star |
|
May 12, 2012 |
Settimo, Sicily |
low |
Venus approaching solar transit |
|
May 20, 2012 |
Bracciano, Italy |
medium |
Saros series for the annular solar eclipse of May 20 |
|
May 28, 2012 |
Wewelsburg, Germany |
low |
three-armed ribbon |
|
June 2, 2012 |
Manton Drove, Wiltshire |
medium |
“polar clock” for August 4 or 5, 2012 |
|
June 6, 2012 |
Orchowo, Poland |
low |
stars in the “horn” of Taurus |
|
June 9, 2012 |
Woodborough Hill, Wiltshire |
high |
Venus emerging after transit as an “ocean sunfish” |
|
June 12, 2012 |
Silbury Hill, Wiltshire |
low |
five-armed spiral |
|
June 17, 2012 |
Santena, Italy |
high |
Sun and Mercury in Cancer on August 4, plus four inner
planets on December 21 (Mayan date) |
|
June 17, 2012 |
Berkeley Lane, Somerset |
low |
our Moon occulting Jupiter on July 15 with Venus below |
|
June 17, 2012 |
Wenlock Wood, Shropshire |
low |
days left until the summer solstice |
|
June 20, 2012 |
Golden Ball Hill, Wiltshire |
low |
“seed of life” from sacred geometry |
|
June 23, 2012 |
Fabbrico, Italy |
high |
Pleiades, Jupiter and Venus on June 23 with date given
by the Mayan calendar |
|
June 25, 2012 |
Milk Hill, Wiltshire |
high |
Venus entering the stars of Taurus as a “sunfish” or
“serpent” |
|
June 25, 2012 |
Cherhill, Wiltshire |
low |
four simple rings |
|
June 26, 2012 (daylight) |
Knoll Down, Wiltshire |
low |
“tailed serpent” |
|
June 29, 2012 |
Stanton St. Bernard, Wiltshire |
high |
Venus in five bright stars of Taurus as a “cathedral” |
|
July 1, 2012 |
Waden Hill, Wiltshire |
high |
triangular “flower of life” from sacred geometry |
|
July 1, 2012 |
Chilcomb Down, Hampshire |
low |
simple cube |
|
July 1, 2012 |
Wanborough Plain, Wiltshire |
high |
“star tetrahedron” from sacred geometry |
|
July 5, 2012 (man-made) |
Boreham Woods, Wiltshire |
medium |
“hungry caterpillar” from children’s literature |
|
July 9, 2012 |
Picked Hill, Wiltshire |
high |
Venus leaving the stars of Taurus as a “sunfish” or
“serpent” |
|
July 11, 2012 |
Etchilhampton Hill, Wiltshire |
high |
“granular Sun” with a basket weave |
|
July 11, 2012 |
Burrow Hill Fort, Warwickshire |
medium |
“solar flare” anticipating a real solar flare on July 12 |
|
July 15, 2012 |
Stanton St. Bernard, Wiltshire |
medium |
our Moon occulting Jupiter above the stars of Taurus
with Venus below |
|
July 17, 2012 (man-made) |
Juggler’s Lane, Wiltshire |
low |
twelve-fold “flower” |
This
analysis suggests that there have been eight crop
pictures overall, whether appearing in southern England, Italy or
Poland, which deal with a common theme of describing how planet
Venus is currently moving through Earth’s sky.
Planet
Venus and legends of Quetzalcoatl or Jesus Christ
Why
would those paranormal crop artists care so much about planet Venus?
Well, they also seem to care a lot about ancient Mayan calendars, as
shown in crops at Santena or Fabbrico in Italy, and how the Long
Count will end on December 21 or 23 later this year.
The
Mayans were great observers of planet Venus, as evidenced by a
special observatory called “El Caracol” in Chichen Itza (see
El_Caracol,_Chichen_Itza) or by a Venus Table in the Dresden
Codex (see
www.bibliotecapleyades.net).
They
also associated their legendary teacher Quetzalcoatl with
movements of planet Venus through Earth’s sky (see
aad.berkeley.edu):
“The
legendary king Ce Acatl (‘One Reed’) Quetzalcoatl was forced from
his kingdom at Tula by a sorcerer. He made his way to the east coast
of Mexico, where he cremated himself on a funeral pyre. His heart
went up with the ashes, and he was transformed into Venus as a
morning star. Yet he was destined to return, reborn as Lord of the
Toltecs in a year called ‘One Reed’ from their 52-year calendar.
This process would be symbolically represented by a heliacal
(morning) re-appearance of Venus as a morning star.”
The
long-awaited return of Jesus Christ is described by a similar
prophecy, given on the last page of the Christian New Testament: “I
am the root and offspring of King David, and the bright morning
star”. Could this be why we saw planet Venus symbolized by a “cross
on top of a cathedral” in Phase I of Stanton St. Bernard on June 29?
Since
the year 2013 will be “One Reed” (first of a 52-year cycle), and
since Venus underwent a heliacal rise on June 10, 2012 just after
solar transit, and since all of its sky movements since then have
been carefully tracked and documented in various crop pictures
(which sometimes feature the Mayan calendar), one does not have to
be a great genius to surmise where all of this paranormal activity
might be leading! The second half of 2012 and first part of 2013
should be interesting times indeed.
Appendix 1. The sky location of Venus as suggested by Phase I of
Stanton St. Bernard was not exactly from Earth
When
we study the metaphorical image of “Venus plus five stars” shown
in Phase I of Stanton St. Bernard on June 29, we can see with a
little reflection that the artist’s view was not exactly from
Earth. Venus on a date of July 5, 2012 should have shown sky
coordinates of RA, Dec = 4 31, +17 23o as seen from
Earth. Yet Venus as drawn in the crop picture (as a four-pointed
star) showed sky coordinates of approximately RA, Dec = 4 15,
+14o:

The
total angular difference of view amounts to 5o for RA
and Dec combined. Given an Earth-Venus distance of 50 x 106
km on July 5, that would amount to 4.4 x 106 km away
from Earth in space, or about 12 Earth-Moon distances. At
Santena in Italy on June 17, the sky view as shown in crops for
our Sun and Mercury in Cancer was estimated to be 20 Earth-Moon
distances away in space.
Red
Collie
(Dr.
Horace R. Drew, Caltech 1976-81, MRC Laboratory of Molecular Biology
1982-86, CSIRO Australia 1987-2010)