Oliver's Castle, nr Devizes, Wiltshire. Reported 26th July

Map Ref: SU007647

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Updated Friday 17th August 2012

 

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Art Work JW Copyright 2012


 

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The Primal Path of Water 

  This formation was discovered on 12 E. 12 is understanding, and E is the Path. It is a water day in the air quadrant.  

  My method of research into these formations is not based in whether they are man made or not. It is simply based on recurring symbolism. As the formations show, the symbolism is almost always directly linked to time and the corresponding symbolism of the day. This is found in the artwork of humans and formations in crop alike. This is a good example. 

 Batz and E work as a pair, just as the 1rst and 2nd Hexagram of the I-Ching work as a pair. It is said, that if a person can understand the first pair, then the whole batch can be figured out. 

 By sampling the available images which have proven to be reliable and consistent with other sets of images made with the same intent, we have a field of images which overall prove to be very consistent. 

  Here is the glyph for Batz , and the image of the Tarot for the day of E. 

  

  Like all fine art, there is a recurring and finite set of images which will come forth into the mind of the artist. Each Image is different but consistencies can be easily seen when working with a field of images.

The field of images I use are as follows, 20 Mayan day Glyphs from 4000 bc (several versions),  the 36 decans of Parasara as depicted in a rare set of charcoal images dating to 500 ad, the 36 views of Mt Fuji as depicted by the individual Katsushika Hokusai dated 1826 – 1833., The I-Ching as described on the sacred text archive website by Legge 1899, the artwork of 100's of masters and amateurs alike observed from the perspective of the date of birth of the artists. The rider-waite Tarot painted by Pamela Coleman-Smith is a good body of work but there are exceptions where one can see the influence of supervision which always prevents an artist from complete freedom. Complete freedom and the ability to express the true heart is the common thread which ties all these systems with the repeating energies of time. It is the same for any person in any capacity. Very rarely I will find something which is out of time and anomalous to these various systems. They were all working with knowledge of time, and the ability to artistically express it. 

 This formation is exactly and precisely on time and very consistent with the representation of the energies of the day of 12 E in the decan of Jackal. It does not matter who made it to express this point.  

 The thing that is compelling, is that if the artist is not human, then they are expressing the same energies of time and symbolism as man, exactly on time. This is the basis for universal communication through symbolism. Recognition of true shape of energy. It is a natural side-effect of the spiritual exploration of the self, to produce imagery related to the date of ones birth. 

The 3 circles at the tips of the background crescent are the 3 leaves from the tips of the Jackal decan image. I have known a man who was born during this decan who was born with 3 fingers on each hand. 

     

 The orbs moving through the crescents are indicative of the souls journey into incarnation upon a set and guided path. People are largely unaware of just how set, that path is. One cannot move outside the crescents. Thus the name high priestess intimates knowledge of the future, and feminine water symbolized by the moon at her feet. The movement of the orbs being clearly shown is the movement upon the path, such as a river does not extend beyond the banks. A flood, is symbolic of an emotional period in which the banks of the river get messy. The extent of free will can be viewed by studying these images and meanings. The physical life is easily predictable, but the progression of the soul can be built upon to the extent, that adjustments to the path, can be made. This is done by intervention by the invisible beings. This is an accepted normal fact of life among spiritual guides or elders of all cultures. 

That said, it is both logically and spiritually sound to state that the crop circles are quite obviously operating from a spiritual perspective of enlightenment of the human consciousness. The formations are not imitating nor repetitive. Creative, is the energy of forward movement. Repetition is the energy of non-movement. The designs of man-made and other-made can be individually determined as spiritual or physical in nature. Many times, they incorporate both. Mostly, the man-made ones follow the physical aspect quite clearly. 

 This formation exhibits both, with the accent on the spiritual. It is the pair to the previous days formation showing the initial primal force of original spiritual thought. Here the thought is flowing along a set path. It is taking shape and vibrationally alive. A slight wobble. A wriggling, but the path is unaltered. The number 2 is drawn with a curving top, but a straight foundation. 

 We are made of 2 kinds of water. Both kinds of water have memory.  

 In the Hindu system, the path of life is determined by the placement of the moon at the time of birth. This is why the high priestess has the moon at her feet. It is the foundation of the destiny or the path of life. The sun is physical. Grandfather sun and Grandmother moon. 

 The limitations of free-will are directly associated with spiritual progression. It is the same for the individual and the species. Once a level is reached, then paths can be altered. This applies to those who may be inhibiting the path of another as well.  

 The formations shows the physical in the first slim crescent, and the spiritual path in the large crescent. The orb moving through is the soul or souls. It is a masterpiece of art showing the understanding of the path. 

  Here are a few examples of artesian masters painting their decans. They did not know of the charcoal images. The known history of the images makes it impossible. Anyway, there are many examples of living artists who are quite surprised to see their own decan in relationship to their artwork. These are physical examples because they are the easiest to spot. 

 Winslow Homer was born during Pearl Decan. Pearl is adjacent to the day of E.

 

  Salvador Dali was born during Elephant Decan 

           

 Jacques Pellegrin (living) was born in Gemini phoenix decan but he paints his twin as well in Thread. 

 There is a path and it is discernable. Understanding is the key. Actively working to progress the spirit can bring adjustments. There is free will. 

E is the 2nd day, the 2nd Hexagram of the I-Ching, and the 2nd image of the major arcana of Pamela Coelman Smith's tarot. It is also the seventh week of the 260 day Chol'qi calendar and the 7th Chapter of Genesis. Verse 1 is 1 E. 

  I was pleased to find out that the Jugglers lane formation of July 17 2012 was not only man-made but accurate and in line with the symbolism. It was Mary Poppins taking the children on a magical field trip to explore art and crop circles. The designer intuited a thing. It was assisted. Ideas come from the Air and into the Water. The calcium structure supported water bags called humans. I call them water bag vehicles. The untethered trees of earth. 

David Odell



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Sean Franson



Snails.  Just as the ancient numbering on the Ohio crop circle which indicated the rise of the river to 1936 flood levels; and the destruction by increased rainfall upon all worms, this vision reveals the inner stretch of a snail.
 
A 2-3 week advance notice of twice-the-average rainfall in this region also occurred in Ohio-at that approximate advance notice. In the case of Ohio, there was simply a show of lettering which added up the exact date of the crest of the floods.  In this country, the indicator shows the clustering of the creatures (snails) and consequent probable death by the farmer in the opportunity to protect his crops.
 
"And creatures were placed upon the land, the image of man and woman as god..." Living spirit, living change.

Michele Trahan



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