Temple Farm, Nr Rockley, Wiltshire. Reported 7th August.

Map Ref: 

This Page has been accessed
Hit Counter


Updated  Sunday 14th  August 2011

  
AERIAL SHOTS GROUND SHOTS DIAGRAMS FIELD REPORTS COMMENTS ARTICLES
08/08/11 08/08/11 08/08/11 08/08/11 08/08/11 14/08/11

Interpretation of the Crop Circle Appeared at Temple Farm, Nr Rockley, Wiltshire. Reported 7th August.

 2011/08/09

Circle Makers Says that Human Beings Need to Change the Education to Children. 

Yesterday we have talked about the differences in the wisdom of human and celestial beings. The wisdom of celestial beings is the integrated 3D type, whereas that of human beings is the flat thinking process of a separated 2D type. Where does the difference come from? Of course it is resulted from the totally different elementary education. I gather that it is why Celestial Beings are capable of interstellar travel and humanity is confined to Earth and can only take peeks at the stars through telescopes.

Following the previous formation, on August 7 there is another crop circle.

This new formation should be considered as the sequel to the previous one…. 

 

This crop formation appeared at Temple Farm. In the ancient times, a temple is a sacred place. In addition to its religious significance, it also has another function for education. In other words, it is also a place reserved for learning. Therefore a crop circle appearing at this location must have a message related to education. 

 

 

The original article is written in Chinese by Crop Circle Decoder: H.K.D. Copyright 2011 

PS: If you are interested in the decryption of other circles from us, please check the article pages of each circle on Crop Circle Connector or you can find us on Facebook: http://www.facebook.com/pages/CROP-CIRCLES-DECLASSIFIED/131389306878901

 

 

The following comment was made about the intentions of the original artists’ design. After reading it, ask yourself  what the new formation means; I personally see it as a good sign. 

“Good afternoon Matthew and welcome back; this is Meroth and Filo. It has taken a little time to reach you for this transmission but we are always pleased to be able to discuss our crop circle creations with you; especially this one which has appeared recently in the Vale of Pewsey near to Oare.  

You read a lot of complicated understandings and theories which are proposed with regard to the meaning of the various crop circles we have created, and as we’ve said before, there is no need to go into things in such detail. Such a level of complication as is proposed by so many other interested parties is quite frankly rather unnecessary. 

It has always been our desire to attempt to create circle designs which have strong visual impact. But also which will communicate essentially a straightforward and simple message: that simple and straightforward message in this creation is one of a maze. A maze through which humanity is in the process of moving: the maze comprises all the various elements and aspects of the intense period of change which is currently underway. 

Many people will view this creation in many different ways, and this is exactly how a maze is viewed by individuals; as in each person will choose a different path and believe that this is the correct way to move through the obstacle if you like. 

The obstacle in this case is the change in consciousness which comprises a number of hurdles. Some of these have already been negotiated; these being the financial and economic upheavals or disruption if you like; the next phase – the next part of the maze which humanity has to negotiate – is the geophysical disruption which will gradually build to an intense period of upheaval, which will bring about a number of significant changes to the way the Earth operates, and will create a number of quite dramatic and at times unpleasant circumstances, which humanity will deal with in the best way possible. 

So the visual representation is one of many options; many paths; many different starting points for so many individuals, who will have so many different understandings of these experiences. It is a simple way of representing this intense period of change with many beginnings and many endings for everyone involved.  

We would ask you to try to view future creations with a very open mind and also to try to simplify your interpretation and understanding from them: there was never any intention to over-complicate this material for obvious reasons. 

We hope this is useful and look forward to working with you again soon: good afternoon.”

http://www.thenewgoldenera.co.uk/page_2116374.html

Nick Ringe

Two crop pictures from Pewsey on June 21, 2010 or Temple Farm on August 7, 2011 show stylistic themes from subatomic physics, and suggest that we will make significant progress in that subject within the next calendar year 

Two related crop pictures have appeared recently at Pewsey on June 21, 2010, or at Temple Farm on August 7, 2011. Now after careful study, it seems certain that both pictures refer to the science of subatomic physics here on Earth, and were intended as an encouragement to progress from more advanced intelligences elsewhere.  

Pewsey of June 21, 2010 and a standard logo for the ATLAS detector at CERN  

Pewsey of June 21, 2010 appeared next to a huge “heart shape” in the Wiltshire landscape, and provided a mathematical code for the golden ratio 1.61803399 by the relative length of rays along its inner grid. Then along its outer grid, it gave an ASCII code for “P” which is often used to symbolize the golden ratio “phi” (see comments or www.youtube.com).  

Now in retrospect from 2011, we can see that Pewsey was also meant to represent a standard logo for the ATLAS detector of subatomic particles at CERN:  

The ten flattened “rays” which were drawn close to the centre of that crop picture, with relative lengths of 1, (0), 6, 1, 8, 0, 3, 3, 9, 9 going clockwise, were likewise meant to represent an “event display” which is used in subatomic physics to illustrate the results of any particle-to-particle collision (see www.symmetrymagazine.org).  

Temple Farm of August 7, 2011 and the ATLAS or CMS detectors at CERN  

By August 8, 2011, new results from the ATLAS detector at CERN showed our first possible indication of the long-awaited “Higgs boson” (see www.guardian.co.uk or www.guardian.co.uk). One day earlier on August 7, 2011, another crop picture appeared which seems to confirm and extend their earlier message which had been sent to Pewsey in 2010. 

The new crop picture at Temple Farm showed a symbolic replica of both ATLAS and CMS detectors at CERN (see comments). Twelve rays from its inner circle again represented the “event display” of a typical particle-to-particle collision in subatomic physics. This time, however, the relative lengths of rays gave a code in ternary base-3 for two calendar dates of August 7, 2011 or August 7, 2012.  

Only a few weeks earlier at CERN, a stunning “wall poster” of the CMS detector had been unveiled. Even the open roof of Building 40, were the wall poster was drawn, looks like the Temple Farm crop picture:  

Both field messages seem to be paranormally real, so what are they trying to tell us?  

What can we learn from the two field messages which they showed us at Pewsey in 2010, or at Temple Farm in 2011? First, the “golden ratio” of mathematics is often used to describe human works of great beauty, such as the Parthenon in Athens. Thus those crop artists regard our search for the Higgs boson at CERN as a human effort of great beauty, which should be encouraged!  

Next, their use of a ternary base-3 code to give dates of August 7, 2011 or August 7, 2012 makes perfect sense in terms of our “quark” theory of subatomic particles. Those hypothetical quarks have been assigned fractional charges of 1/3 or 2/3 relative to an electron. Also, quarks are supposed to have three “color charges” which govern their interaction with other particles (see Quark).  

As for the two dates of August 7, 2011 or August 7, 2012, we note that their crop-based time code of 07(day)-08(month)-0100(hour)-2011(year) matches how individual particle-to-particle collisions are dated at CERN. Their first date of August 7, 2011 at 0100 hours was the time when that Temple Farm crop picture appeared. Their second date of August 7, 2012 tells possibly when a “discovery announcement” for the Higgs boson or other new particle will be made, although we cannot be sure of the exact time. Most physicists expect the Large Hadron Collider to produce results which confirm the existence of a Higgs boson by the middle or end of 2012.  

Finally if they do discover a Higgs boson, which is supposed to explain the masses of particles, they might also discover a “Higgs singlet”, which can be used to send messages back in time (see www.smh.com.au or www.sciencedaily.com).  

Could some modern crop pictures be “messages sent back in time”?  

It has not escaped our attention that some crop pictures could represent messages sent back in time (see www.youtube.com). Where is the evidence for this? Well, some crop pictures definitely seem to “predict the future”. Consider for example six crop pictures from the summer of 2010, which clearly predicted a crisis of nuclear power generation in the spring of 2011, although they did not specify Japan (see japantsunami2011). Many crop pictures from the summer of 2005 likewise predicted an outburst by comet 17P Holmes in the autumn of 2007 (see time2007h).  

In a science fiction novel called “Timescape” by Gregory Benford, scientists from Earth’s future discover “tachyons” as a general kind of particle which can send messages back in time (just like for the “Higgs singlet”). Then they use those tachyons to send binary messages back in time to 1962, warning about upcoming environmental dangers on Earth, and how to avoid them (see www.amazon.com): 

Does this make any sense in terms of modern crop pictures? Yes it does, because at Crabwood in 2002 we saw a long binary message in crops which said: “Much pain but still time”. Later during the summer of 2006, we saw a whole series of “wormholes”, “Roman rings”, “ringholes” or other time travel devices drawn schematically in crops. It was just as if the crop artists wished to tell us that they can really send messages back in time.   

The most recent “wormhole” crop picture appeared at Barbury Castle on July 2, 2011. I arrived there with Charles Mallett and several others on the morning when it appeared, and there was no trace of prior human presence anywhere: no footprints and no board marks (see barburycastle2011b). A few weeks later on July 20, 2011, another crop picture appeared in broad daylight near Cherhill in less than an hour, with no human crop artists, around as witnessed reliably by aircraft pilots (see www.silentcircle.co.uk).  

Constant disinformation about crop pictures in the mainstream news media  

One physicist, Richard Taylor, has recently argued in Physics World of August 2011 that most modern crop circles are made by microwave flattening of plant stems, rather than by mechanical flattening with rope and boards, which are the tools used by all known human crop artists (see www.kval.com). So far, so good. Yet then he goes on to speculate that human crop artists (such as Rob Irving or John Lundberg) are going out into the fields at night using portable microwave ovens and GPS, and making crop circles in that way! Michio Kaku offered a similar unfounded speculation on Fox News (see www.youtube.com).  

If any objective scientists are reading this, I would like to assure them that this new hypothesis of “microwaves ovens and GPS” is not supported by any evidence, so it must be either disinformation or a joke. None of the leading human crop artists have taken it seriously, nor any of the researchers who have studied paranormal crop pictures for the past twenty years (see for example www.silentcircle.co.uk or www.circularsite.com). Why would the news media be spreading such a tale, if it were not with an intent to misinform?  

Perhaps no one believed their previous story of “stoned wallabies” (see news.bbc.co.uk). It is sometimes ridiculous what the mainstream media will tell you, and even more astounding to learn how many people believe it.  

To conclude, modern crop pictures are: (1) real in a paranormal sense, sometimes (2) concerned with progress in subatomic physics here on Earth, and probably (3) made by advanced intelligences who have access to time-messaging or time-travel technologies far beyond our own. Whether those benevolent intelligences come from our own future on Earth or from the distant stars is hard to say, but we should learn soon.  

Red Collie (Dr. Horace R. Drew, Caltech 1976-81, MRC LMB 1982-86, CSIRO Australia 1987-2010)

Temple Farm. Rockley  Crop Formation. The definitive solution? 

In my earlier comments on this page I suggested that some earlier suggested solutions may not have taken enough regard of the precision of the construction of this formation

and that some of the differently sized flattened segments could not be paired accurately as was claimed, to obtain the  Tenery  3 Date solution.

Laurent Kalensky’s own comment wherein he showed the true basic means of measuring the length of the 12 segments was a fundamental breakthrough and a great piece of detective work. He was able to extract two sets of numbers but confessed he could make no sense of them.  With further study using his measurement method I have been able to extract four sets of numbers by measuring the flattened areas and the un-flattened areas. However three of these produced no intelligible results and it wasn’t until I realized that I could accurately measure the whole length of each flattened block that a real solution seemed achievable.

 

 The bands of rings can be extended outwards to Laurent’s thick red line boundry which marks the circular edge made by the creators.

Making due allowance for the distortion in the underlying photograph we can see that for example the segment he has marked 0 can contain twelve of the ring bands and the segment he marks 6 can contain six of the bands.  The segment marked 5 contains seven of the bands. Subtracting his number in each case gives the true dimension of a particular flattened area and a unique set of twelve numbers. Reading anti clockwise these are 12,8,10,7,11,6,9,12,4,3,7 and 6. but they still seem unintelligible, what to do next.? 

0

1

2

3

4

5

6

7

8

9

10

11

12

1

 

 

 

 

 

 

 

 

 

 

 

 

2

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

AL

 

 

 

 

 

 

 

 

 

4

 

 

 

 

 

 

 

 

 

 

 

 

5

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

 

 

 

 

 

7

 

 

 

 

 

 

 

 

 

 

 

 

8

 

 

 

 

 

 

 

 

 

 

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

10

 

 

 

 

 

 

 

 

 

 

 

 

11

 

 

 

 

 

 

 

 

 

 

 

 

12

 

 

 

 

 

 

 

 

 

 

 

 

 

Then I realized that we have two sets of values each totaling up to twelve. There are the 12 equal divisions of the whole formation and size values for the segments up to 12.

 This can’t be accidental and further thought brought out the idea that perhaps the values could be plotted on a 12x 12 grid or matrix. The above illustration shows the result. 

The numbers can be plotted clockwise as was done above or anti-clockwise. In the latter case a mirror image of the plot occurs. Any variation of orientation of the grid results in the same shape plots, upside down, sideways etc. but what does it represent?  This next step requires an almost quantum leap of imagination and I don’t think I could have made it without having had a similar experience back in 1998 with the Galaxy formations of 1994. ( Google “The Cetus Conjunction” ).  The plot figure is a star map and having been at one time an amateur astronomer I recognized  the Vee shape as part of the Taurus constellation.  This may seem very far fetched but check out the following print -out

from computer astronomy program Red Shift 5.  

‘Al’ in the plot corresponds with the twin star Aldeberan the twins cannot be separated without great magnification so are seen as one here. There are five stars in the arm down to the point of the Vee. To the upper right of Aldeberan  are two small stars also shown in the plot. The ascending north east arm in the plot corresponds closely to that in the constellation and the plot star at 7-9 could be one of the two inside the Vee and maybe mis-plotted.  So I think it can be said that all the twelve stars of the formation plot are in roughly the same relative locations as in the constellation.  What we are to understand from this ‘message’  I can only guess and probably wrongly,  failing further clues, but one possible one  may be that as Clare Kingston found, the formation does resemble the Harwell Diamond light Source Synchroton. Check her link www.harwelloxford .com or a current overhead view on Google map. The Red Collie image of the site is some years out of date and is misleading as a reference. We can see that the facility has the appearance of a Torus, a three dimensional ring.  It may be just a strange coincidence that the star map above is of part of constellation Taurus, or is it a verbal bonus clue? 

In the Red Shift picture there is a small star to the right and almost midway between Hyadum 1 and Hyadum 2.  The star map plot seems to have included this star to give the curve of this arm we see.

A remarkable Crop Formation whichever way you view it, I’ll be pleased to see any and all feed back, constructive or not.  Thanks to Clare Kingston and  Laurent Kalensky for their valuable insights.

Jack Sullivan. Aug. 13th 2011 

BACK

  
Mark Fussell & Stuart Dike