Crop Circle at  2009

 

ARTICLES

 

This Page has been accessed
Hit Counter


Updated Friday 14th  August  2009

 

AERIAL SHOTS GROUND SHOTS DIAGRAMS FIELD REPORTS COMMENTS ARTICLES

 

The natural order of the sundial

This crop circle “formation” is super simple, but even in its simplicity the crop circle makers want to put forward a message. First of all it is striking that teedeleedee and teedeleedoo appeared at a tramline at a large distance from each other. Moreover 2 days after the appearance of teedeleedee and teedeleedoo the owl appeared in an adjacent field. This results in the following picture:

The extension of the tramline (yellow line) touches the owl. It’s notable that the tramline is almost North-South, but there is a deviation of 5°. It turns out that the tramline has exactly been aligned with the direction of the sun at 13:00 o’clock British Summer Time on the day of the formation, which corresponds with 12:00 o’clock universal time or Greenwich Mean Time. The position of teedeleedee left of the tramline and teedeleedoo right of the tramline indicate the direction in which the tramline should be corrected to be aligned with the true North-South-direction.

So what do the crop circle makers want to put forward? The fact that the direction of the sun on 12:00 GMT deviates from the North-South-direction is the result of the division of the world in Time Zones. Moreover, the alignment with 12:00 o’clock GMT actually neglects the phenomenon of summertime. Both seem to refer to a return to natural time, that means local time without an artificial division of the world in time zones. Apart from the division of the world in time zones and the effect of summer time, there is still another effect through which the direction of the sun at 12:00 o’clock can deviate from the true South. The 24 hours of the day are the result of the rotation of the Earth around its axis and the revolution of the Earth around the sun. However through the axial tilt and the elliptic orbit of the Earth, the length of the day slightly fluctuates. The 24 hours of the day actually are an average. However as at present our clock isn’t corrected for this fluctuations, the sun in for example February is half an hour later at its highest point in the South then in November (even at Greenwich). Therefore one speaks of Greenwich Mean Time, which essentially deviates from local apparent time, or the time in accordance with the sundial.

In new age the world will go back to the true local time, the time that a sundial would indicate. This is necessary to tune in again in the natural order of time, as the time is going along with a creative power. Also the biorhythm has a relationship with the clock. This change will occur on the 14th June 2012, along with the recreation of the world (see recreation ). This date falls around midsummer and the sun is practically at the highest point in the South (61.9°, 62° on midsummer, the 21st June). Despite the earlier mentioned fluctuations, on this date the sun has also been aligned with the tramline on 12:00 o’clock GMT. Furthermore it turns out that the ratio of the line from teedeleedee to teedeleedoo and the line from the owl to teedeleedee correspond with the altitude of the sun in the South on midsummer (62°, see picture). Apart from the realignment of the clock with the South, on midwinter, the 22nd December 2012, a new age clock will start to run (see martinsellhill2 ).

What is the relationship with the owl? The owl is a so called “Solar Seal” of the Tzolkin, the holy galactic calendar of the Maya. This is a calendar with a cycle of 260 days. It turns out that the period from the day of the appearance of the both circles (8th August 2009) until the 14th June 2012 exactly equals 4 Tzolkincycles (4 x 260 days). On the 21st June 2012 – midsummer – the signature of the classical Tzolkin is “2 Owl”, which perfectly corresponds with the 2 circles of teedeleedee and teedeleedoo and the owl! I found out that the formation of the owl has a close relationship with the classical Tzolkin; more about that later.

Marc Smulders


AERIAL SHOTS GROUND SHOTS DIAGRAMS FIELD REPORTS COMMENTS ARTICLES

BACK

  
Mark Fussell & Stuart Dike