I am just writing to suggest that people are possibly getting too carried away with the idea of wormholes in relation to the 3D crop circles that have appeared this year.  I think it is far more likely that they are simply a continuation of the optical illusion theme that included the Escher triangle crop circle last year.  Before seeing on your site today the connection made between the recent New Barn crop circle and the Vertigo record logo, I had, in fact, already made the same connection with the Avebury Trusloe circle in June.  Although I am old enough to have actually possessed such records, I could not remember the precise pattern of the logo, and so I got it wrong in assuming that that of the Avebury Trusloe circle was exactly the same (apart, obviously, from the mirroring in the crop circle).  What I could remember, however, was that the Vertigo pattern, at least on early LPs, was not just, as suggested on your site and in Wikipedia, a small logo, but rather took up the space of the whole label on one or both sides of the LP.

The idea behind this was that you were supposed to watch the pattern on the label as the record rotated on the turntable (preferably while stoned) in order to enhance both the 3D and trance inducing effects - hence the significance of the name of the label, Vertigo.  I also remembered learning at the time that the pattern was derived directly from the work of the artist Marcel Duchamp - i.e. specifically, his "Rotoreliefs".  And that is why I am writing really, because the Rotoreliefs and the Vertigo pattern were examples of the type of optical illusion called stereokinetics in which certain 2-dimensional patterns can be made to appear 3-dimensional when appropriate movement is applied to them.  Therefore, inasmuch as the design of these 3D crop circles all appear to be derived from the Vertigo pattern (the New Barn one, in fact, being identical), I would suggest that those who are reading references to wormholes in them are fancifully barking up the wrong tree.