The DOOMSDAY Crop Circle?
(The Farmer is charging just £1 to see it)
|
This Amazing Crop Circle features an
Ancient Egypt mosaic in the centre and symbols from the Mayan Calendar
around the rim. The Calendar predicted the end of the world in 2012,
will be feature in the New Crop Circle Connector DVD CIRCLECHASERS
2004 out in October. The Current Best Crop Circle DVD of
2003 is
OUT IN THE FIELDS 2003 is
available now. |
Discuss this Crop Circle on the Forum
Images CCC Copyright 2004
Image Nick Nicholson Copyright 2004
SILBURY HILL - PHASE 2, August 3, 2004
Image Roiland Beljon Copyright 2004
 
Diagram Bertold Zugelder Copyright 2004
www.cropcircle-archive.com
Image Steve Alexander Copyright 2004
Silbury Hill Design and Aztec God, Xochipilli
© 2004 by Linda Moulton Howe
Phase 2 of Silbury Hill design on August 3, 2004.
Aerial photograph © 2004 by Roiland Beljon.
Phase 1 of Silbury Hill design first reported on August
2, 2004.
Digital Video Image © 2004 by Andreas Feliziani and
Cropcircleconnector.com.
August 4, 2004 Silbury Hill, Wiltshire, England - Whoever,
or whatever, is responsible for the August 2 to 3, 2004, crop
formation at Silbury Hill, the design in its border is a mirror image
of a rare statue of the Aztec God, Xochipilli, The Prince of Flowers,
Maizes, Love, Games, Beauty, Song and Dance. Xochi means
'flower,' while pilli means either prince or child. In
the mid-1800's, a 16th century Aztec statue of Xochipilli was
unearthed on the side of the volcano Popocatapetl near Tlamanalco,
Mexico. The statue is of a single figure seated upon a temple-like
base.
Xochipilli statue photograph, Mysteries of the
Ancient Americas
© 1986 Pegasus/Reader's Digest.
Both the statue and the base upon which it sits are covered in
carvings of sacred and psychoactive flowers including mushrooms (Psilocybe
aztecorum), tobacco (Nicotiana tabacum), morning glory (Turbina
corymbosa), sinicuichi (Heimia salicifolia), possibly
cacahuaxochitl (Quararibea funebris), and one unidentified
flower. The figure itself sits crosslegged on the base, head tilted
up, eyes open, jaw tensed, with his mouth half open. The statue is
currently housed in the Museo Nacional de Anthropologia of Mexico.
The ancient Aztec statue's repeating base design of 90-degree
mazes back-to-back is similar to, but curving in the opposite
direction of, the August 3, 2004, border at Silbury Hill.
Above: Carved base of
the 16th century Aztec statue of Xochipilli.
Below: Border in second phase of the Silbury Hill wheat
formation reported on August 3, 2004.
Blow-up from aerial photograph © 2004 by Roiland Beljon.
June 3, 2001 - Variation On The Aztec Motif?
Wakerly Woods, Barrowden, Northamptonshire,
reported June 3, 2001.
Aerial photograph © 2001 by Nick Nicholson.
Cycles of Time, in Life and Death
In Mysteries of the Ancient Americas, the book states: "To
the Aztec, as to all ancient Mesoamerican peoples, time proceeded not
linearly, but in cycles. ... Just as the world was created, destroyed
and recreated time and again, so smaller units of time repeated
themselves. ...If life was impermanent for the Aztec, so, in the last
analysis, was death. Life contained the inevitability of death, but
death held within it the certainty of rebirth. For the Aztec, as for
other native American peoples, death meant passage from earthly life
to another existence on a different plane in a multi-level universe.
For some, it also meant even the possibility of return to earth,
though in a different form."
Also see:
http://www.erowid.org/entheogens/xochi/xochi.shtml
|
Click on Thumbnails to enlarge
Images Verity Bullock Copyright 2004
www.4x4pix.co.uk
Coming soon
Big thanks to Verity and Chris for being
there!
Historically, the Aztec name for the huge basaltic
monolith is Cuauhxicalli Eagle Bowl, but it is universally known
as the Aztec Calendar or Sun Stone. It was during the reign of the 6th
Aztec monarch in 1479 that this stone was carved and dedicated to the
principal Aztec deity: the sun. The stone has both mythological and
astronomical significance. It weighs almost 25 tons, has a diameter of
just under 12 feet, and a thickness of 3 feet.
The Mexicans, as all other Meso-Americans, believed in
the periodic destruction and re-creation of the world. The "Calendar
Stone" in the Museo Nacional de Antropología (National Museum of
Anthropology) in Mexico City depicts in its central panel the date 4
Ollin (movement), on which they anticipated that their current world
would be destroyed by earthquake, and within it the dates of previous
holocausts: 4 Tiger, 4 Wind, 4 Rain, and 4 Water. .
Every 52 years the tonalpohualli and the xiuhpohualli
calendars would align. This marked what was known as a Mesoamerican
"century."
Tonatiuh's Face is the face of the sun, Lord of
Heaven, around which takes place all daily and periodic phenomena.
First Ring
from Center. Four Ollin
representing the Earthquake Epoch or Sun. The four epochs represented
inside the square portions of this symbol correspond to the four
previous epochs also called suns.
Second Ring - The second ring from the center is
composed of 20 named days contained in one month, also used for naming
years. Each year starts on one of four of these 20 days.
The
Calendar date '4 Ollin' will be in 2012. Actually I made a mistake, in
that only 19 fine lines show up for each inner clock-hand, not 20
(couldn't see from early photos)!
Hence the inner calendar actually
reads (6 + 6).19.19 = 12.19.19 rather than 12.20.20 = 13.0.0 as for any
full Sun of 5200 years. That is like writing "999" just before "1000",
and means (like on the outer dial) that the end of the Fourth Sun is
near: but only one year and not 8.67?
Alternatively, something important
might be scheduled to happen next year (at the end of 2005), then
something again in December 2012? A lot of intellectual content for a
fake! Some additional physical or testimonial evidence is perhaps
needed.
|
Image Busty Taylor
Copyright 2004
I couldn't disagree more with the comments posted
on your website by Andreas Muller about the Silbury Hill formation
of 2nd August. Having visited this formation, whilst it was clear
the crop was damaged in places, I could see nothing that
specifically showed definitive signs of human circle making. The lay
was wonderfully flowing inside the circle, not at all 'mechanical'
as has been suggested. It certainly did not look heavily stomped!
I don't know what the discs were that were found,
but I find it hard to believe that anyone faking a circle would
leave such damning evidence behind, it would rather give the game
away, who would it fool? I doubt after going to all the considerable
trouble of making a design of such scale they would spoil it at the
last minute by not counting up all their markers!
Assuming the discs are markers as Andreas says, I
might be able to see the use of such markers when working in the
daytime, but then again what would be the point at night? I doubt
you would even be able to see them very well in the dark. Which
makes me more than a little suspicious about their presence. It
seems to me that the wetness between these discs could as easily be
condensation as anything more sinister, it has been very hot and
humid over the last few days.
There has been a lot of negativity going around
this year about hoaxing, no one wants to get caught out. But I hope
you will publish my email on your page because I think that people
should hear another point of view for balance. With respect (to
Andreas Muller), It would be a shame if this important formation is
simply written off on the basis of a little paranoia and the
publication of only one point of view. I agree we should all be
cautious and open to all possibilities, but this is different than
writing something off categorically as a definitive hoax.
Keep up the good work!
Rachel Rice.
|
This new formation was discovered on August 2, on
top of the field opposite Silbury Hill. As the aerial shows, it
features the same kind of wings as the previous Milk Hill and Tan
Hill formation but now in a kind of mix with a Vesica Pisces and
this years Koch & Kyborg Experiment below Woodborough Hill. The
formation is placed on a spot that is not visible from the passing
road nor from the Silbury Hill car park.
Beside a few better parts, the inside shows a
rough executed, very heavily flattened and mechanical lay –
portraying all sorts of evidence for human stomping activity.
Finally just before we went out of the formation those conclusions
got even more confirmed by the discovery of three white
marking-plates numbered 2, 4 and 6 (See photos). Those are known to
be used by several hoaxers (just as by “Team Satan/The Circlemakers”
and are shown on several of their photos documenting commissioned
formations) to point out and mark specific geometric positions in a
nocturnal field. All three were placed on top of each other and when
we took them apart they were watery wet in-between, showing more or
less that they were not placed here just short time before we came
in (at about 3:30pm) but already very likely during the night.
This formation shows not only the geometrical similarity to the
previously mention Tan and Milk Hill formations but also in ground
quality.
Andreas Muller
|
|
The Calendar Clock The new Silbury crop-picture takes 'crop messages' to
a new level! Anyone can see that it encodes some kind of important
message, relevant to ancient Mayan-Aztec prophecy.
So I spent several days learning Mayan-Aztec calendar systems, and now
believe that the interpretation is unique and straightforward. It seems
to be just a large "calendar clock", with time shown in four different
units (analogous to days, hours, minutes or seconds) along the outside,
plus a 'moving clock mechanism' in the center.
Both 'inner hands' tell us that we lie precisely (52 / 6) = 8.67 years
from the end of the 'Fourth Sun' in 2012.9, where 2004.6 (August) + 8.67
= 2012.9 (almost). The same picture would have had to be drawn in
February 2004.2 to be perfectly accurate (no crops were growing then).
Aztecs and Mayans used three different calendar systems with 260, 360
or 365 days per year, but the crop-artist for simplicity drew everything
in 360-day 'years'.
Outer dial of the clock: 4 shaded areas represent 5200
years each, and symbolize four previous or current "Suns", just as
for the Calendar Stone in Mexico.
10 outer boxes per Sun (over any 90 degree quadrant, with boxes 1
and 2 always shaded) represent 520 years each.
10 inner boxes per Sun (again over any 90 degree quadrant)
represent 52 years each (the most fundamental Mayan unit of time
covered 52 years, as the convergence of 365 and 260-day calendars).
Finally, because we lie so close to 2012.9, the crop-artist added a
feature not present in Mayan-Aztec culture: he/she divided the two
inner-boxes closest to any shaded region into finer divisions of (52 / 6)
= 8.67 years, by means of (2 x 3) =6 fine-lines.
Now both "hands of the clock" point precisely to the last fine line
before any shaded region, meaning that we lie today "8.67 years from
the end of the Fourth Sun".
Inner hands of the clock: two 'bundles' of 20 fine lines
tell us that we are working in Mayan-Aztec mathematics. For most
historical dates or 'long count', the Mayans or Aztecs used powers of
20: for example 20 days per month, 20 years, 20 x 20 years, 20 x 20 x
20 years.
Thus within any 'Sun' of 5200 years (as shown four times on the outer
dial), we find 13 x 20 x 20 = 5200 years calculated in another way, and
sometimes represented as 13.0.0.
Looking again at the inner hands, we see however only (2 x 6) = 12
thick curves above and below: signifying 12.0.0, and indicating that
13.0.0 is near.
Summary: Two different Mayan-Aztec calendar schemes are encoded in
the diagram, leaving no possibility for error.
The outer dial counts time as 52 x 10 x 10 =5200, and uses a set
of six fine lines near any shaded area for greater accuracy, namely 52 /
6 = 8.67.
The inner hands count time as 12 x 20 x 20 or 12.0.0, since 13 x
20 x 20 = 13.0.0 = 5200 has not yet been reached.
Because the information provided in both parts is redundant, we
can be sure that the interpretation is correct. In other words, "the end
of the Fourth Sun is near and on schedule".
An incredibly clever scheme of pictorial mathematics.
C. Lewis |
Click on thumbnails to enlarge
Copyright free
John Jamieson
The farmer was harvesting and
stopping to avoid the circle!
|
