|
gallery
EAST FIELD TREE INTRIGUES AND DELIGHTS
Once again we found ourselves in "The Sanctuary" of
the crop circles. Alton Barnes and East Field, conjures up the
quintessential location of the phenomenon. Basically where it all
started in the year of 1990, with the amazing pictograms. Now 12 years
on, we are witnessing a totally different type of designs, and this
"Tree of the Universe" is a prime example. Its is quite simply light
years away from the lineage designs of the early 90's, yet still excites
and intrigues on a much deeper level.
The Tree of the Universe is indeed the more unusual
design to be witnessed in this huge field
The late nineties and millennium years have seen
designs that resemble mandalas, and indeed this is a major part of
understanding the power of the designs within the fields. This is really
where we are in the new millennium, trying to understand why these
shapes have a certain presence in the fields, ands what that is causing
within us and ultimately the landscape. There is no more of a location
than East Field. Too many to mention formations have appeared in this
field since 1990, but the Tree of the Universe is indeed the more
unusual design to be witnessed in this huge field. Normally we have to
walk some distance into East Field, but this formation is positioned
further up the field towards Adam Grave.
There are over 100 small circles making up the
Apples, of the tree. Many of them have a small standing centres, but the
floor pattern within the tree trunk and the area either side is
extremely flat. One of the flattest floor lays I have seen this year,
but very neat in construction.
As you can see from the report page, we have The
YGGDRASIL which is part of Norse mythology, which is the closet
representation. Indeed its quite multidimensional in its interpretation,
as we can emerge from the mythology of the Yggdrasil, as a rebirth for
mankind. It could also represent the veil of the dimensions are becoming
thinner, and indeed we may witness entities we have yet to comprehend.
It's a very profound design, which has been a prime example of the
unpredictable season of 2002.
Report by Stuart Dike |