Crop Circles of 1994

Spiders Web, Avebury Stone Circle, Nr Devizes, Wiltshire.


Avebury + Spiders web.

Wheat 10/11th August 1994. An aerial shots by Lucy Pringle. Copyright 1994.


Avebury 1994 (the "spider's web") also seems clearly astronomical and not human-made. It tells how the inner and outer rings at Avebury once functioned as 19-year lunar calendars in 2000 BC.

Basically by analogy, you must "go around that outer ring of stones five times, like a spider weaves it web, to complete any 19-year cycle of the Moon". Its two inner rings are cleverly coded too. Every little stone or ditch means something.
 
Red Collie


Three stone circles in Ireland (Knowth, Dowth and Newgrange): the 1994 Avebury "spiderweb" explains them

 
In a previous essay, I showed how a "spiderweb" crop picture that appeared just outside of Avebury Ring in August 1994 told us symbolically, how that ancient stone circle worked as a lunar calendar 4000 to 5000 years ago. We were told to "go around its outer ring five times, just as a spider builds its web", and then we would understand.
 
Now the outer ring at Avebury contains 98 standing stones, and hence 5 x 98 = 490. But that is just one stone away from a well-known astronomical number of 489, which equals the sum of lunar phase (235) and lunar background-star (254) cycles in any 19-year Metonic cycle of the Moon.
 
Based on what those crop artists said, I slowly figured out that Avebury was used to keep track of ten different lunar cycles; while any small differences of counting, say between 490 and 489, could be compensated by adding "extra stones" or even "pits or ditches" in precise locations.
 
Several months later, I came across a remarkable essay by Gillies Macbain on how the ancient inhabitants of Ireland kept calendar time, using a series of stone circles located at Knowth, Dowth or Newgrange:
 
 
In his essay, Macbain explained how it was necessary to "go around" each of those stone circles several times, in order to match certain long-term periodicities of the Moon. But that was just what the crop artists told us at Avebury!
 
Could the same ancient people have built all of Avebury, Knowth, Dowth and Newgrange? And if so, did our mysterious crop artists live all across the ancient British Isles, and not just in southern England near Avebury, close to where most modern crop pictures appear? In order to address those important questions, let us review briefly what we found before for Avebury, and then compare our crop-artist-based conclusions with what Macbain has proposed for three different stone circles in Ireland.
 
The original "spiderweb" crop picture appeared just outside of Avebury Ring in 1994:  
 

 
It showed the symbolism of a spider's web, in order to communicate a message concerning those outer-ring, inner-ring stone circles nearby:
 

 
To be more precise, it told us to "go around that outer stone circle five times, just as a spider builds its web":
 

 
An artistic reconstruction of Avebury Ring is shown below. Its outer ring contained 98 standing stones, while its two inner rings contained 27 or 29 stones each. If we were to "go around" that outer ring five times, then we would count 490 stones in total:
 

 
Now "490" lies very close to "489" which is an important astronomical number. It tells how many lunar cycles there are in 19 years, as the famous Metonic cycle of the Moon. To be more specific, in 19 solar years there are 235 cycles of lunar phase (29.5 days each), plus 254 cycles of lunar sky-location relative to background stars (27.3 days each). When those two numbers are combined, one finds a total of 235 + 254 = 489:
 

 
If one wished to count "489" lunar cycles at Avebury, one could simply put a stick in the ground next to each successive standing stone, after any monthly phase or background-star cycle was finished. Then at the end of 19 years, one would have "gone around" that outer circle five times, with only one stone missing from a complete five full turns or 98 x 5 = 490 stones.
 
By studying a reconstructed model of Avebury, I found that ten different lunar cycles could have been kept there in total, as various combinations of Metonic, Saros, phase, background-star or ecliptic. Those ten astronomical cycles seem too detailed to discuss here, so I simply coloured a single "489 Metonic" cycle with red ink in the table below:  
 

 
So far, so good. But if one stone remains missing after 19 years, while counting 235 + 254 = 489 lunar cycles along an outer ring of 5 x 98 = 490 stones, how did the original builders of Avebury compensate for that slight error? They simply placed an extra stone near the main entrance, labelled below in red as "delta-one":
 

 
Other extra stones of "delta-3" or "delta12" were added to the two inner rings (shown in white). Alternatively, when the builders of Avebury came across some really big astronomical error, say a 25-stone difference between 465 lunar Saros cycles and 490 stones, they placed a "space or ditch" after stone 465. See the white label "delta-25", next to a big space between rows of stones in the right-hand part of the diagram above.
 
Might there be any way to verify our findings about Avebury? Here is where Gillies Macbain's research comes in handy. He studied other ancient stone circles much like Avebury, except they were built in Ireland at about the same time: namely Knowth, Dowth and Newgrange:
 
 
Knowth contains a ring of 127 stones that you must "go around twice" in order to reach "254", which is again one of our 19-year Metonic cycles (when the Moon repeats in both phase and sky-location relative to the Sun).
 
Dowth contains a ring of 115 stones that you must "go around twice" in order to reach "230", which is the number of lunar phase cycles in any 18.6-year Nodal cycle (when the Moon repeats in both phase and sky-location relative to background stars).
 
Newgrange contains a ring of 97 stones, and hence is almost the same as Avebury with 98. Macbain was puzzled by this, and tried to incorporate Venus as well as the Moon into his theory. He also tried to change "97" to "95" by discarding two stones as not very important!
 
Instead, following the advice of those crop artists, if we simply "go around the outer ring at Newgrange five times", then we will count 5 x 97 = 485 stones in total, and thereby get a number "485" that lies very close to "489" as sum of lunar phase (235) and background-star (254) cycles after 19 years.
 
But where at Newgrange are the extra four stones, required to compensate for a slight difference between 485 and 489? Somewhat perplexed, I next re-examined photographs of Newgrange from both 2007 (reconstructed) and also 1950 (unreconstructed). The extra four stones were there all along!
 

 
In other words, (5 x 97) + 4 = 489 at Newgrange in Ireland, while (5 x 98) -1 = 489 at Avebury in England. Did the Irish people really follow a 19-year cycle of the Moon long ago?
 
Well, the historian Diodorus wrote about Ireland (or England) in 50 BC: "The Moon as viewed from that island appears to be but a little distance from the Earth, and to have prominences on it which are visible to the naked eye. An account was also given that a god visits that island once every 19 years, after a period during which the Moon and stars return to the same place in the heavens."
 
In summary, we have learned two important things here. First, those crop artists did tell us correctly how to figure out the original workings of Avebury Ring, by means of their 1994 "spiderweb" drawing.
 
Secondly, those same stone-calendar principles apply also to Knowth, Dowth and Newgrange. Not only does the (slightly revised) Macbain theory explain what is seen at Knowth and Dowth, but it also predicts what should be seen at Newgrange, as four extra standing-stones of previously unknown function.
 
The weight of accumulated evidence now seems overwhelming: that modern crop pictures are being made by the original megalith builders themselves, and are somehow being sent forward in time to us across 4000 or 5000 years. And now we know why they built all of those ancient megalithic sites, in order to keep track of many different astronomical cycles of the Moon.

RED COLLIE


 

Many people have studied how Stonehenge once worked as a solar-lunar observatory, and have made considerable progress there. Yet the original function of Avebury Ring remains obscure (see for example www.megalithicsites.co.uk/index2.html, ww.jqjacobs.net/blog/neolithic.html  or www.britarch.ac.uk/ba/ba76/news.shtml).

 
On August 10, 1994, a novel and beautiful crop picture appeared just outside of Avebury Ring. It had the form of a "spider web", and was regarded by most people simply as landscape art:  
 

 
But if we look more closely at that crop picture, we can see that it shows both "inner and outer circles" like Avebury Ring to which it lies adjacent. Furthermore, it shows an "entrance" on one side, again like Avebury Ring:
 

 
Recently in 2007, it became apparent that some crop pictures are attempting to teach us lessons in megalithic astronomy (see for example "Four megalithic sundials: geometrical and astronomical analyses" on www.cropcircleconnector,com). Those new observations, combined with the highly symbolic form of that 1994 crop picture, made me wonder whether it was trying to tell us something? If so, then its message might be approximately as follows:
 
"Go around the outer circle of stones at Avebury Ring five times, just as a spider weaves its web, and then you will understand how that ancient megalithic site once worked."
 

 
The two inner circles at Avebury originally contained 27 and 29 stones respectively, just as for two well-known monthly cycles of our Moon: 29.5 days for its phase, or 27.3 days for its sky location relative to background stars. Those two inner circles would presumably have been used to count phases or sky locations of the Moon as a lunar calendar:
 

 
But what about its outer circle which once held 98 stones? If we were to walk around that outer circle five times, then we would be able to count 5 x 98 = 490 stones in total. Now that number "490" almost. equals the sum of lunar-phase (235) and lunar-star (254) cycles within any 19-year Metonic cycle of the Moon, where 235 + 254 = 489.
 
Such preliminary observations encouraged me to look into the matter further, using a detailed map of Avebury Ring as it once existed 4000 years ago:
 

 
Without much effort, I soon found that practically every stone, entrance or pit at Avebury Ring once served some kind of astronomical purpose. A 19-year "Metonic" cycle of the Moon was used to keep track of moonrise or moonset locations, while an 18.03-year "Saros" cycle of the Moon was used to predict eclipses (just like the Aubrey holes found at Stonehenge).
 
In order to understand this important finding in greater detail, first we need to understand some basic concepts from lunar astronomy:
 
19 "solar years" = 6939.7 days (Metonic cycle of the Moon) = 19 x 365.25 days
19 "eclipse years" = 6585.3 days (Saros cycle of the Moon) = 19 x 346.59 days
 
Lunar phase-cycle (synodic) = 29.531 days
Lunar background-star-cycle (sidereal) = 27.322 days
Lunar ecliptic-crossing-cycle (draconic) = 27.212 days
 
Total number of lunar cycles in 19 "solar years" or else 19 "eclipse years":
 
6939.7 days, Metonic >>> phase = 235.00
                                              stars = 254.00
                                              ecliptic = 255.02
 
6585.3 days, Saros >>> phase = 223.00
                                           stars = 241.02
                                           ecliptic = 242.00
 
Each stone at Avebury Ring was apparently used to keep track of individual lunar cycles, just like counting beads on an abacus. When two cycles did not match precisely after 18 or 19 years, its designers simply added a few "extra stones" where required.
 
For example (see pictures above), they added 3 extra stones within their inner 27-stone circle, so that phase and star (or eclipse) cycles of the Moon would match more precisely. Likewise, they added 12 extra stones within their inner 29-stone circle, so that Saros and Metonic cycles of the Moon would match more precisely.
 
To make everything simple and clear, I have summarized the original workings of Avebury Ring in a figure and Table below:  

 
 

Number of lunar cycles in 19 years

Kind of cycle

Inner

Extra inner p-to-se

Extra inner S-to-M

Outer individual

Extra outer individual

Outer combined

Extra outer combined

 

 

 

 

 

 

 

 

 

235    Metonic

phase

8 x 27 + 19

∆ 3

19-22

-----

2 x 98 + 39

39

24- 63

235 + 254 = 489

∆ 1

489-90

254    Metonic

stars

8 x 29 + 22

-----

-----

2 x 98 + 58

-----

= 5 x 98 - 1

 

255.02   Metonic

ecliptic  

-----

-----

-----

-----

-----

 

 

 

 

 

 

 

 

 

 

 

223        Saros

phase

8 x 27 +  7

∆ 3

7-10

∆ 12

7-19

2 x 98 + 27

∆ 27

46-73

223 + 242 = 465

∆ 25

465-90

241.02    Saros

stars

-----

-----

-----

-----

-----

= 5 x 98 - 25

 

242        Saros

ecliptic

8 x 29 + 10

-----

∆ 12

10-22

2 x 98 + 46

∆ 46

1-46

 

 

 

 

There were ten lunar cycles to be accounted for in total. Four of these were kept along its two inner circles, while five were kept along its outer circle (I could not find any evidence for keeping of a sixth).

Along the inner 27-stone circle, they kept two phase-cycles of the Moon whether Metonic (235) or Saros (223). Along the inner 29-stone circle, they kept two other cycles of the Moon as star-Metonic (254) or ecliptic-Saros (242).  

After 19 years, they used 3 extra stones from their 27-stone circle (see pictures above), so that each pair of lunar cycles (whether Metonic or Saros) would match more precisely. Similarly, they used 12 extra stones from their 29-stone circle (see pictures above), so that any Saros cycle would match more precisely any Metonic cycle. 

Next, along the outer 98-stone circle, they did not seemingly add any "extra stones", except in one place near its very end, where 489 combined Metonic cycles (235 + 254) fall short of five complete outer turns by just (490 - 489) = 1. 

In all other places, they simply divided that outer circle into smaller intervals using entrances or pits. For example, 465 combined Saros cycles (223 + 242) fall short of five complete outer turns by (490 - 465) = 25, so they included an entrance at "73" which differs from "98" by 25 stones. 

Three of the four possible individual 19-year cycles seem to be represented as well. For example, 242 Saros cycles could be kept by starting at stone "1", then going around for two outer turns and stopping at an entrance "46", since (2 x 98) + 46 = 242. Similarly, 223 Saros cycles could be kept by starting at stone "46", then going around for two outer turns until entrance "73", since (2 x 98) + 27 = 223.  

Likewise, 235 Metonic cycles could be kept by starting at entrance "24", then going around for two turns until reaching a "pit" which was dug next to stone "63", since (2 x 98) + 39 = 235. I could not find any evidence that a fourth individual periodicity of 254 Metonic cycles was kept, but then our current reconstruction of Avebury Ring may not be perfectly accurate.  

Summary and conclusions 

Now we finally seem to understand how Avebury Ring once worked, as a 19-year lunar calendar 4000 years ago. But I take no credit for these observations. All of the credit should go to those unseen "crop artists", who told us that its outer ring of 98 stones had to be circumscribed five times, to complete any 19-year cycle of the Moon. What a useful clue! How could anyone living today possibly know that?

 

In summary, by slow and careful study of many different English crop pictures, we seem to be gradually approaching a novel and unexpected conclusion: namely that some of those crop messages are somehow being sent to us from the distant past, from a place near Avebury or Silbury Hill 4000 to 5000 years ago. Not from aliens, not from our future descendants on Earth, not from local human fakers, but from our own Celtic ancestors in the British Isles. Evidently they were more technologically advanced than many of us currently imagine.

 

All of this would make sense if the Tuatha de' Danaan ("People of Anu"), after they left Sumeria in 2100 BC, took an engineered wormhole with them. Perhaps the same wormhole through which their king Anu supposedly visited Uruk in 3300 BC (www.exopolitics.org/Study-Paper2.htm)? Or the same wormhole through which many of the Tuatha left for a mysterious Otherworld in 1800 BC? "It was a subterranean world entered through caverns, hills or mountains, and was inhabited by many races. The Tuatha de' Danann, after their defeat by the Milesians, retired to that underground world, and from there continued to interfere in the ways of men."

 

Was that why the crop artists showed us a series of wormholes last summer, beginning with two "Roman rings" at Avebury Trusloe and Savernake Forest, which are specialized time-travel devices? Were they simply trying to tell us how they were sending such messages, because we have not yet reached such a magical level of technology ourselves? Indeed, what would a classical Roman or Greek citizen make of modern e-mail or the mobile phone?

 

Some people ask, "If aliens are sending us crop pictures, why don't they land on the White House lawn or talk to us on TV?" The answer now seems obvious: because those megalith builders do not reside in our current, local spacetime. Crop pictures seem to be their only way of communicating with us. And that may be why most crop pictures appear near ancient megalithic sites, where the Danaan people lived 4000 years ago. The big question, of course, is why they chose the years 1990-2007 to send ever more complex and clever messages, such as the one described above.              

                                                                                                     Red Collie

 

PS People ask me frequently where they can get good, reliable information about modern crop pictures? The sources that I have personally found most useful are www.cropcircleconnector.com (Archives, members only), www.lucypringle.co.uk (Photo Gallery) and www.circularsite.com, although this brief list is not meant to be exclusive.


 

 


Return to the Crop Circles 1994




Mark Fussell & Stuart Dike